The Son of Clemenceau, A Novel of Modern Love and LifeDumas, Alexandre
General
The Son of Clemenceau, A Novel of Modern Love and Life
Dumas, Alexandre
Fiction
In her old Louis XIV. mansion, conspicuous among the new structures, the
old dame, in silvered hair which needed no powder, welcomed the "best
people" in the neighborhood and a surprising number of visitors who "ran
down" from the city. Considering her age, her activity in playing the
hostess was remarkable. On the other hand, the "at homes" were most
respectable, and the music remained "classical;" not an echo of
Offenbach or Strauss; the conversation was restrained and decorous and
the scandal delicately dressed to offend no ear.
Not all were old who came to the château, and the foreigners were
numerous to give variety to the gatherings; but the white neck-cloth and
black coat suppressed gaiety in even the rising youth, who were destined
for places under government or on boards of finance and commerce.
It may be judged that an afternoon spent in such company was little
change to Madame Clemenceau, and that the five o'clock tea, initiated
from the English, was a kind of penitential drink. But she became a
habitué, and took a very natural liking to hear again the anecdotes
indicating how matters moved in Germany and Russia, where her childhood
and early girlhood had passed.
One evening, she arrived late. She was exasperated: Antonino had imbibed
his master's imperturbability and seemed to meet her advances with
rebuking chilliness. A marked gravity governed them both of late; they
shut themselves up for hours in their study, but instead of the silence
becoming artists, noises of hammering and filing metal sounded, and the
chimney belched black smoke of which the neighbors would have had reason
to complain.
"A fresh craze!" thought Césarine, dismissing curiosity from her mind.
Dull and decorous though the marchioness' salon was, it might be an
ante-chamber to a more brilliant resort beyond, while the laboratory of
science leads to no place where a pretty woman cares to be.
The Marchioness had remembered her meeting with Césarine at Munich and
was polite enough to express her regret that her offer of a
companionship had not been accepted. "All her pets had married well,"
she observed, as much as to say that she would have found no difficulty
in paving the lovely one with a superior to Clemenceau.
Soon Madame Clemenceau had become the favorite at the château; and,
tardy as she was, the servant hastened to usher her in to her reserved
chair. It was placed in the row of honor in the large, lofty
drawing-room, hung with tapestry and damask curtains, and filled with
funereally garbed men and powdered old dowagers. The late comer was
struck by their eyes being directed with unusual interest upon a
vocalist. He stood before the kind of throne on which the marchioness
conceitedly installed herself.
He was singing in German, and he accompanied himself on a zither. He had
an excellent baritone voice, and the ballad, simple and unfinished,
became a tragic _scena_ from his skill in repeating some exceptionally
talented teacher's instructions.
Public-domain text, read in full here on John Shaqi.
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