The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
2. Let him kiss me, &c. This is the language of the spouse offering
a petition to the Father of the Bridegroom; for she has known both
the promises made to Abraham and the prophecies of Jacob; as well
as the prophecies of Moses, respecting her beloved, and the
description of his beauty and power as given in the Psalms; “Thou
art more beautiful than the sons of men,” &c.; she has learned that
her beloved, who is adorned with beauty and grace, is both God and
the eternal Son; “For thy throne, Oh God, is for ever and ever,”
&c. Having recognised the beauty, strength, riches, dominion, and
power of the bridegroom which he displays above all things, world
without end, she draws nigh to him to embrace him and to kiss him
in Spirit. Let none whose spirit is low, and who only tastes that
which is earthly, be misled by the expression “kisses.” Let him
remember that we ourselves embrace and kiss the limbs of the
beloved at the mysterious time (the Lord’s Supper), and that which
we see with our eyes, store up in our hearts, and, as it were, feel
ourselves in conjugal embraces; so that it is with us as if we were
with him, embracing and kissing him, after, as the Scriptures say,
“love has driven away fear.” Therefore it is that the Bride wishes
to be kissed by the Bridegroom himself.
390–444. Cyril of Alexandria, who was born towards the close of the
fourth century, and died in 444, went so far as to explain “the
palanquin,” to mean the cross; its “silver legs,” the thirty pieces of
silver which brought Christ to the cross; the “purple cushion,” the
purple garment in which the Saviour was mocked; “the nuptial crown,”
the crown of thorns put on Christ’s head, &c. &c.
650. The influence of the Chaldee mode of interpretation seems now to
become more apparent in the Christian Church. Aponius, who is quoted by
the venerable Bede, and must therefore have lived in the seventh
century, regards the Song of Songs as describing what the Logos has
done for the Church from the beginning of the world, and what he will
do to the end of it; thus, like the Chaldee, he takes the book as a
historico-prophetical description of the dealings of God with his
people, only that the Chaldee takes the Jews as the object of the
description, but Aponius substitutes the Gentile Church.
673–735. Bede, called the venerable, who was born at Wearmouth, in
Durham, in 673, and died in 735, wrote seven books on the Song of
Songs, one being merely a copy from Gregory the Great, in which he
defends the doctrine of grace against the Pelagians.
Public-domain text, read in full here on John Shaqi.
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