The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
The like of this is, however, what soldiers must expect, and if victory
had come at the end we could have borne far worse hardship cheerfully.
But the climax was the slaughter at Fredericksburg. The sting of that
defeat was felt not as a dishonour, but as undeserved disaster. We knew
that courage and devotion such as any people might be proud of had been
uselessly sacrificed. Yet the gloom of those winter days after the
battle was not that of despair; it was the bitter prospect of
indefinitely prolonged struggle, an outlook dark indeed to men who were
soldiers not for glory but only for home and country.
The depression of that time was doubtless responsible for at least as
large a loss of life as the battle beside the river. Hardship and
exposure had bred sickness, and the mood of the hour offered feeble
resistance to death. For months the little funeral processions were
mournfully frequent; from our own brigade alone there were often two or
three in a day.
There are no funerals on the march; there are none after battle. On the
march, if a man falls out of the ranks stricken with mortal sickness or
exhaustion he is left to be picked up by the ambulance, perhaps to die
alone by the way. The column cannot halt. After battle, there are but
ghoulish burials. But in settled camp the decencies of death are rudely
observed.
The first funeral in our company was that of one of our serjeants, a
young man whom we all loved. He died shortly after Christmas-time. A
box of good things from home had lately arrived; out of the boards of
that box we managed to make a coffin for our dear comrade and the whole
company marched to his grave. But the most of our dead were buried
without coffin and funerals became too common for any but scantiest
ceremony. A drum and fife playing the Dead March, a firing squad of
three to give a parting volley over the grave, then the chaplain, then
the body of the dead soldier wrapped in his blanket and carried on a
stretcher by two men followed perhaps by half-a-dozen intimate friends,
and that was all.
In the brigade graveyard at the top of the hill which grew so dismally
in population during the winter, there were no headstones--only little
pine boards torn from empty cracker-boxes, with the name of the
departed written thereon in lead pencil or cut in with a jack-knife. I
remember several headboards hewn from cedar, the most lasting of woods,
made with great care and pains, with deep-cut inscriptions. These, you
may be sure were stronger proof of true affection than many of the
costly monuments which challenge the beholder's eye in our great
cemeteries.
Public-domain text, read in full here on John Shaqi.
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