The Sorrows of a Show Girl: A Story of the Great "White Way" — John Shaqi
The Sorrows of a Show Girl: A Story of the Great "White Way"McGaffey, Kenneth
General
The Sorrows of a Show Girl: A Story of the Great "White Way"
McGaffey, Kenneth
Theater -- Fiction
"She married again to the nicest gambler you ever met. But he got stung
on a sleeper, and had to hock the family jewels, and Posey said that was
cruelty, for she could never have the face to go down to the dining room
for breakfast without all of her diamonds on; she had worn them every
day since they struck the St. Reckless, and she was afraid it might
cause talk among the waiters and guests because she always treated them
with a calm air of condescension, and they would lay for the chance to
get in a hammer. So she put in a bid for a divorce and got it.
"Then she met her first better half on the street and, after having a
little supper, they decided to sneak through the tunnel, take it on the
run for Newark and again become one.
"Imagine anybody going to Newark to get married! Imagine any one going
to Newark for anything!
"They got married and came back to town just as happy as if nothing had
ever happened. My, I hope Wilbur and I will be that way! I think he is
sincere even if he does write good notices about girls in his show.
"Well, I must toddle along and see if Wilbur has cashed his yet, so that
I can get the rest of that new hat. If it ain't too much trouble you can
send me a bunch of flowers for our opening night in Hartford. So long."
The show gives its opening performance and Sabrina scores a
great personal success. She speaks at some length of the kissing
craze and makes several comments on the time she had while out
of town.
CHAPTER THIRTEEN
"Are you coming to the opening tonight?" began Sabrina, the Show Girl,
before she had given her order. "I don't know if you can get a seat or
not, because the management is tired of having the same old gang out in
front, and have donated about two-thirds of the house to the ladies at
the Martha Washington, for they know more about a real show than
anybody, because they read the dramatic page of all the fashion
magazines, and the other third of the house will be taken up by the
dramatic critics and their friends.
"We had a great opening in Hartford. The theatre was crowded four rows
back. The first act went great, but we couldn't tell how the last one
went, because nobody but the author and composer stayed for it, and they
are a little partial.
"I scored a great personal triumph, and the way I read my lines was not
only greeted with applause, but with laughter. In fact, I made such a
decided hit that the prima donna, who, by the way, is worse than the
first, because she drinks, had the manager take my lines away from me
and give them to somebody who could not read them as well. If I wasn't
afraid she would blackball me for the P.W.L. I would raise a kick. The
idea of an old frump like that letting professional jealousy interfere
with Art.
"After the performance that night the author got busy and rewrote the
whole second act, and had it all ready by the time we landed in
Washington.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account