England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
Already the ash-keys hang in cool, thick bunches under the darker
leaves. The chestnut-bloom is falling. The oak-apples are large and
rosy. The wind is high, and the thunder is away somewhere behind the
pink mountains in the southern sky or in the dark drifts overhead. And
yet the blue of the massy hangers almost envelops the beechen green;
the coombes and the beeches above and around their grassy slopes of
juniper are soft and dim, and far withdrawn, and the nightjar’s voice
is heard as if the wind there were quiet. The rain will not come;
the plunging wind in the trees has a sound of waterfalls all night,
yet cannot trouble the sleep of the orange-tip butterfly on the
leopard’s-bane’s dead flower.
Now the pine blooms in the sandy lands, above the dark-fronded brake
and glaucous-fruited whortleberry, the foxgloves break into bell after
bell under the oaks and birches. The yellow broom is flowering and
scented, and the white lady’s bedstraw sweetens the earth’s breath.
The careless variety of abundance and freshness makes every lane a
bride. Suddenly, in the midst of the sand, deep meadows gleam, and the
kingfisher paints the air with azure and emerald and rose above the
massy water tumbling between aspens at the edge of a neat, shaven lawn,
and, behind that, a white mill and miller’s house with dark, alluring
windows where no one stirs.
June puts bronze and crimson on many of her leaves. The maple-leaves
and many of the leaves of thorn and bramble and dogwood are rosy; the
hazel-leaves are rosy-brown; the herb-robert and parsley are rose-red;
the leaves of ash and holly are dark lacquered. The copper beeches,
opulently sombre under a faintly yellowed sky, seem to be the sacred
trees of the thunder that broods above. Presently the colour of the
threat is changed to blue, which soiled white clouds pervade until
the whole sky is woolly white and grey and moving north. There is no
wind, but there is a roar as of a hurricane in the trees far off; soon
it is louder, in the trees not so remote; and in a minute the rain
has traversed half-a-mile of woods, and the distant combined roar is
swallowed up by the nearer pattering on roof and pane and leaf, the
dance of leaves, the sway of branches, the trembling of whole trees
under the flood. The rain falls straight upon the hard road, and each
drop seems to leap upward from it barbed. Great drops dive among the
motionless, dusty nettles. The thunder unloads its ponderous burden
upon the resonant floor of the sky; but the sounds of the myriad
leaves and grass-blades drinking all but drowns the boom, the splitting
roar, and the echo in the hills. When it is over it has put a final
sweetness into the blackbird’s voice and into the calm of the evening
garden when the voice of a singer does but lay another tribute at the
feet of the enormous silence. Frail is that voice as the ghost-moth
dancing above the grass so faithfully that it seems a flower attached
Public-domain text, read in full here on John Shaqi.
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