The Southern Literary Messenger, Vol. I., No. 3, November, 1834Various
History
The Southern Literary Messenger, Vol. I., No. 3, November, 1834
Various
American literature -- 19th century -- Periodicals
We had given directions to be taken to the Hotel of the Cross of
Malta--_L'Albergo della Croce di Malta_, and when the carriage stopped,
we got out with the expectation of being at our destined domicil. No
sign, however, of a hotel was visible, and one of our party began to
make an accompaniment to the noise of the wind by storming a little at
the postillions for not obeying his orders,--when the courier informed
us that we were as near as the vehicle could get to the house, as it
was located in a street hard by, too narrow for any but pedestrians.
This position of one of the principal hotels of a city denominated _la
superba_, appeared singular enough, and with our ideas of its
superbness somewhat diminished, we followed the man a short distance up
a lane in which two persons could scarcely walk abreast, until we
reached the door of the establishment, whose aspect was not
particularly inviting, in despite of its towering altitude. Our fears,
however, as to the manner in which we might be accommodated, or rather
unaccommodated, were soon put to rest, when we mounted the spacious
stairway, and were ushered into a suite of apartments which to the
simplicity of an American, republican eye, wore an air of absolute
magnificence.
What a difference there was between the first aspect of things in this
our Hotel of the Cross of Malta, and that which is presented in the
places of entertainment for man and horse in the United States. Instead
of being ushered into a bar-room filled with the fumes of whiskey and
tobacco, crowded with boots to be blackened, decorated with
"tintanabulent appendages" innumerable, and affording palpable evidence
in every way that the establishment is as much entitled to the motto,
"e pluribus unum," as the government of the country itself, we were
received at the portal by a single domestic and conducted to our rooms
without seeing or hearing the slightest indication that any other
"mortal mixture of earth's mould" besides ourselves, was in the house.
And then the difference in the appearance of the apartments! The
recollection of the closets or pigeon holes, styled chambers by the
courtesy of our mother tongue, so limited in their dimensions, that
like the cell of the poor Hibernian, in which he "did nothing but walk
up and down," you cannot "stand in them at all," furnished with a bed,
a wash-stand, two chairs, and a looking glass, in which you may see one
moiety of your face at a time, if you exert yourself with sufficient
industry, did not certainly excite any very lively regrets, as we gazed
on the spacious apartments glittering with mirrors, the walls and
ceiling frescoed and gilded _ad unguem_, mantles supported by
sculptured goddesses, chairs and lounges covered with damask, and beds
so richly curtained and attired, that it seemed as if one could
scarcely sleep in them, for thinking of the luxury in which he was
reposing. The hotel was formerly a palace, whose glories, in part, it
still retains.
Public-domain text, read in full here on John Shaqi.
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