The Spectator, Volume 1: Eighteenth-Century Periodical EssaysSteele, Richard, Sir
General
The Spectator, Volume 1: Eighteenth-Century Periodical Essays
Steele, Richard, Sir
English essays -- 18th century -- Periodicals
In 1711 the other great house was the theatre in the Haymarket, recently
built by Sir John Vanbrugh, author of 'The Provoked Wife,' and architect
of Blenheim. This 'Haymarket Theatre', on the site of that known as 'Her
Majesty's,' was designed and opened by Vanbrugh in 1706, thirty persons
of quality having subscribed a hundred pounds each towards the cost of
it. He and Congreve were to write the plays, and Betterton was to take
charge of their performance. The speculation was a failure; partly
because the fields and meadows of the west end of the town cut off the
poorer playgoers of the City, who could not afford coach-hire; partly
because the house was too large, and its architecture swallowed up the
voices of the actors. Vanbrugh and Congreve opened their grand west-end
theatre with concession to the new taste of the fashionable for Italian
Opera. They began with a translated opera set to Italian music, which
ran only for three nights. Sir John Vanbrugh then produced his comedy of
'The Confederacy,' with less success than it deserved. In a few months
Congreve abandoned his share in the undertaking. Vanbrugh proceeded to
adapt for his new house three plays of Molière. Then Vanbrugh, still
failing, let the Haymarket to Mr. Owen Swiney, a trusted agent of the
manager of 'Drury Lane', who was to allow him to draw what actors he
pleased from 'Drury Lane' and divide profits. The recruited actors in
the 'Haymarket' had better success. The secret league between the two
theatres was broken. In 1707 the 'Haymarket' was supported by a
subscription headed by Lord Halifax. But presently a new joint patentee
brought energy into the counsels of 'Drury Lane'. Amicable restoration
was made to the Theatre Royal of the actors under Swiney at the
'Haymarket'; and to compensate Swiney for his loss of profit, it was
agreed that while 'Drury Lane' confined itself to the acting of plays,
he should profit by the new taste for Italian music, and devote the
house in the 'Haymarket' to opera. Swiney was content. The famous singer
Nicolini had come over, and the town was impatient to hear him. This
compact held for a short time. It was broken then by quarrels behind the
scenes. In 1709 Wilks, Dogget, Cibber, and Mrs. Oldfield treated with
Swiney to be sharers with him in the 'Haymarket' as heads of a dramatic
company. They contracted the width of the theatre, brought down its
enormously high ceiling, thus made the words of the plays audible, and
had the town to themselves, till a lawyer, Mr. William Collier, M.P. for
Truro, in spite of the counter-attraction of the trial of Sacheverell,
obtained a license to open 'Drury Lane', and produced an actress who
drew money to Charles Shadwell's comedy, 'The Fair Quaker of Deal.' At
the close of the season Collier agreed with Swiney and his
actor-colleagues to give up to them 'Drury Lane' with its actors, take
in exchange the 'Haymarket' with its singers, and be sole Director of
Public-domain text, read in full here on John Shaqi.
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