American fiction -- 20th century; American fiction -- California; Western stories
With an exclamation, Fong Wu flung his banjo aside and ran to the road.
There under a manzanita bush, huddled and still, lay a figure. He caught
it up, bore it to the porch, and put it gently down.
A brief examination, made with the deftness practise gives, showed him
that no bones were broken. Squatting beside the unconscious woman, he
next played slowly with his long-nailed fingers upon her pulse. Its beat
reassured him. He lighted a lamp and held it above her. The scarlet of
her cheeks was returning.
The sight of her, who was so strong and active, stretched weak and
fainting, compelled Fong Wu into spoken comment. "The petal of a plum
blossom," he said compassionately, in his own tongue.
She stirred a little. He moved back. As, reviving, she opened her eyes,
they fell upon him. But he was half turned away, his face as blank and
lifeless as a mask.
She gave a startled cry and sat up. "Me hurtee?" she asked him, adopting
pidgin-English "Me fallee off?"
Fong Wu rose. "You were thrown," he answered gravely.
She colored in confusion. "Pardon me," she said, "for speaking to you as
if you were a coolie." Then, as she got feebly to her feet--"I believe
my right arm is broken."
"I have some knowledge of healing," he declared; "let me look at it."
Before she could answer, he had ripped the sleeve away. "It is only a
sprain," he said. "Wait." He went inside for an amber liquid and
bandages. When he had laved the injured muscles, he bound them round.
"How did it happen?" she asked, as he worked. He was so courteous and
professional that her alarm was gone.
"Your horse was frightened by a rattler in the road. I heard it whir."
She shuddered. "I ought to be thankful that I didn't come my cropper on
it," she said, laughing nervously.
He went inside again, this time to prepare a cupful of herbs. When he
offered her the draught, she screwed up her face over its nauseating
fumes.
"If that acts as strongly as it tastes," she said, after she had drunk
it, "I'll be well soon."
"It is to keep away inflammation."
"Oh! Can I go now?"
"Yes. But tomorrow return, and I will look at the arm." He took the lamp
away and replaced his red-buttoned cap with a black felt hat. Then he
silently preceded her down the steps to the road. Only when the light of
her home shone plainly ahead of them, did he leave her.
They had not spoken on the way. But as he bowed a good night, she
addressed him. "I thank you," she said. "And may I ask your name?"
"Kwa"--he began, and stopped. Emotion for an instant softened his
impassive countenance. He turned away. "Fong Wu," he added, and was
gone.
The following afternoon the crunch of cart wheels before the
square-fronted house announced her coming. Fong Wu closed "The Book of
Virtue," and stepped out upon the porch.
A white man was seated beside her in the vehicle. As she sprang from it,
light-footed and smiling, and mounted the steps, she indicated him
politely to the Chinese.
Public-domain text, read in full here on John Shaqi.
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