African American families -- Fiction; Domestic fiction; Rural-urban migration -- United States -- Fiction
Joe, what little self-respect he had gone, slunk out of the room and
needed several whiskeys in a neighbouring saloon to give him courage to
go to the theatre and wait for Hattie, who was playing in vaudeville
houses pending the opening of her company.
The closing act was just over when he reached the stage door. He was
there but a short time, when Hattie tripped out and took his arm. Her
face was bright and smiling, and there was no suggestion of disgust in
the dancing eyes she turned up to him. Evidently she had not heard, but
the thought gave him no particular pleasure, as it left him in suspense
as to how she would act when she should hear.
"Let 's go somewhere and get some supper," she said; "I 'm as hungry as
I can be. What are you looking so cut up about?"
"Oh, I ain't feelin' so very good."
"I hope you ain't lettin' that long-tongued Brown woman bother your
head, are you?"
His heart seemed to stand still. She did know, then.
"Do you know all about it?"
"Why, of course I do. You might know she 'd come to me first with her
story."
"And you still keep on speaking to me?"
"Now look here, Joe, if you 've been drinking, I 'll forgive you; if you
ain't, you go on and leave me. Say, what do you take me for? Do you
think I 'd throw down a friend because somebody else talked about him?
Well, you don't know Hat Sterling. When Minty told me that story, she
was back in my dressing-room, and I sent her out o' there a-flying, and
with a tongue-lashing that she won't forget for a month o' Sundays."
"I reckon that was the reason she jumped on me so hard at the club." He
chuckled. He had taken heart again. All that Sadness had said was true,
after all, and people thought no less of him. His joy was unbounded.
"So she jumped on you hard, did she? The cat!"
"Oh, she did n't say a thing to me."
"Well, Joe, it 's just like this. I ain't an angel, you know that, but I
do try to be square, and whenever I find a friend of mine down on his
luck, in his pocket-book or his feelings, why, I give him my flipper.
Why, old chap, I believe I like you better for the stiff upper lip you
've been keeping under all this."
"Why, Hattie," he broke out, unable any longer to control himself, "you
're--you 're----"
"Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now
come on and get something to eat. If that thing is at the club, we 'll
go there and show her just how much her talk amounted to. She thinks she
's the whole game, but I can spot her and then show her that she ain't
one, two, three."
Public-domain text, read in full here on John Shaqi.
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