The Standard Cantatas: Their Stories, Their Music, and Their Composers: A HandbookUpton, George P. (George Putnam)
History
The Standard Cantatas: Their Stories, Their Music, and Their Composers: A Handbook
Upton, George P. (George Putnam)
Cantatas -- History and criticism
The third movement, after a very brief but spirited orchestral flourish,
opens with an exultant barytone solo ("And behold then the Heavens opened
wide"). The choruses respond with animation ("And yonder a snow-white
Horse"). Again the barytone intervenes ("And lo! a great Name hath He
written"), and then the choruses take up the majestic theme, "King of
Kings and Lord of Lords," each answering the other with triumphant shouts
that gather force and fire as they proceed, and closing with a mighty
hallelujah in which voices, orchestra, and organ join with fullest power
to produce one of the grandest harmonies ever written. The work is one of
extreme difficulty, as the two choirs are treated independently and their
harmonies are complicated, though blended in general effect. Neither
choir receives assistance from the other. In fact, each rank of voices is
required to perform music of the most exacting kind, so that a perfect
performance of this great jubilee hymn requires singers of trained skill
and more than ordinary intelligence. When thus given, few choruses of
modern times reveal such artistic richness and symmetrical proportions.
[17] A German national song, written by Heinrich Harries, a Holstein
clergyman, for the birthday of Christian VII. of Denmark. It was
originally in eight stanzas, but was reduced to five and otherwise
slightly modified for Prussian use by B. G. Schumacher, and in this
form appeared as a "Berliner Volkslied" in the _Spenersche Zeitung_
of Dec. 17, 1793.--_Grove's Dictionary_.
BRUCH.
Public-domain text, read in full here on John Shaqi.
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