The Stoneground Ghost Tales: Compiled from the recollections of the Reverend Roland Batchel, Vicar of the parish.Swain, E. G. (Edmund Gill)
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The Stoneground Ghost Tales: Compiled from the recollections of the Reverend Roland Batchel, Vicar of the parish.
Swain, E. G. (Edmund Gill)
English fiction -- 20th century; Ghost stories, English
He had not gazed into the mirror for many minutes before he learned
that there was to be a second Act. Quite suddenly, a woman was at
the sideboard. She had darted to it, and the time taken in passing
over half the length of the mirror had been altogether too brief to
show what she was like. She now stood with her face to the sideboard,
entirely concealing the box from view, and all Mr. Batchel could
determine was that she was tall of stature, and that her hair was
raven-black, and not in very good order. In his anxiety to see her
face, he called aloud, "Turn round." Of course, he understood, when he
saw that his cry had been absolutely without effect, that it had been a
ridiculous thing to do. He turned his head again for a moment to assure
himself that the room was empty, and to remind himself that the curtain
had fallen, perhaps a century before, upon the drama--he began to think
of it as a tragedy--that he was witnessing. The opportunity, however,
of seeing the woman's features was not denied him. She turned her face
full upon the mirror--this is to speak as if we described the object
rather than the image--so that Mr. Batchel saw it plainly before him;
it was a handsome, cruel-looking face, of waxen paleness, with fine,
distended, lustrous, eyes. The woman looked hurriedly round the room,
looked twice towards the door, and then opened the box.
"Our respectable friend was evidently observed," said Mr. Batchel.
"If he has annexed anything belonging to this magnificent female,
he is in for a bad quarter of an hour." He would have given a great
deal, for once, to have had a sideboard backed by a looking glass, and
lamented that the taste of the day had been too good to tolerate such
a thing. He would have then been able to see what was going on at the
oaken box. As it was, the operations were concealed by the figure of
the woman. She was evidently busy with her fingers; her elbows, which
shewed plainly enough, were vibrating with activity. In a few minutes
there was a final movement of the elbows simultaneously away from her
sides, and it shewed, as plainly as if the hands had been visible, that
something had been plucked asunder. It was just such a movement as
accompanies the removal, after a struggle, of the close-fitting lid of
a canister.
"What next?" said Mr. Batchel, as he observed the movement, and
interpreted it as the end of the operation at the box. "Is this the end
of the second Act?"
He was soon to learn that it was not the end, and that the drama of the
mirror was indeed assuming the nature of tragedy. The woman closed the
box and looked towards the door, as she had done before; then she made
as if she would dart out of the room, and found her movement suddenly
arrested. She stopped dead, and, in a moment, fell loosely to the
ground. Obviously she had swooned away.
Public-domain text, read in full here on John Shaqi.
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