“Let us return to the caterpillar suspended in the midst of its net. Now
it is working at the cocoon. Its head is in continual motion. It
advances, retires, ascends, descends, goes to right and left, while
letting escape from its lip a tiny thread, which rolls itself loosely
around the animal, sticks itself to the thread already in place, and
finishes by forming a continuous envelope the size of a pigeon’s egg.
The silken structure is at first transparent enough to permit one to see
the caterpillar at work; but as it grows thicker what passes within is
soon hidden from view. What follows can easily be guessed. For three or
four days the caterpillar continues to thicken the walls of the cocoon
until it has exhausted its store of liquid silk. Here it is at last,
retired from the world, isolated, tranquil, ready for the
transfiguration so soon to take place. Its whole life, its long life of
a month, it has worked in anticipation of the metamorphosis; it has
crammed itself with mulberry leaves, has extenuated itself to make the
silk for its cocoon, but thus it is going to become a butterfly. What a
solemn moment for the caterpillar!
“Ah! my children, I had almost forgotten man’s part in all this. Hardly
is the work of the cocoon finished when he runs to the heather sprig,
lays violent hands on the cocoons and sells them to the manufacturer.
The latter, without delay, puts them into an oven and subjects them to
the action of burning vapor to kill the future butterfly, whose tender
flesh is beginning to form. If he delayed, the butterfly would pierce
the cocoon, which, no longer capable of being unwound on account of its
broken threads, would lose its value. This precaution taken, the rest is
done at leisure. The cocoons are unwound in factories called spinning
mills. They are put into a pan of boiling water to dissolve the gum
which holds the successive windings together. A workwoman armed with a
little heather broom stirs them in the water, in order to find and seize
the end of the thread, which she puts on a revolving reel. Under the
action of the machine the thread of silk unwinds while the cocoon jumps
about in the hot water like a ball of wool when one pulls the yarn.
“In the center of the threadbare cocoon is the chrysalis, scorched and
killed by the fire. Later the silk undergoes divers operations which
give it more suppleness and luster; it passes into the dyer’s vats where
it takes any color desired; finally it is woven and converted into
fabric.”
------------------------------------------------------------------------
CHAPTER XXIV
THE METAMORPHOSIS
Public-domain text, read in full here on John Shaqi.
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