Dramatists -- Fiction; Married people -- Fiction; Theater -- Fiction
creature of moods the most extreme; his faith in Maxwell was as
profound as his abysmal distrust of him; and his frank and open nature
was full of suspicion. He was like a child in the simplicity of his
selfishness, as far as his art was concerned, but in all matters aside
from it he was chaotically generous. His formlessness was sometimes
almost distracting; he presented himself to the author's imagination as
mere human material, waiting to be moulded in this shape or that. From
day to day, from week to week, Maxwell lived in a superficial
uncertainty whether Godolphin had really taken his play, or would ever
produce it; yet at the bottom of his heart he confided in the promises
which the actor lavished upon him in both the written and the spoken
word. They had an agreement carefully drawn up as to all the business
between them, but he knew that Godolphin would not be held by any clause
of it that he wished to break; he did not believe that Godolphin
understood what it bound him to, either when he signed it or afterward;
but he was sure that he would do not only what was right, but what was
noble, if he could be taken at the right moment. Upon the whole, he
liked him; in a curious sort, he respected and honored him; and he
defended him against Mrs. Maxwell when she said Godolphin was wearing
her husband's life out, and that if he made the play as greatly
successful as "Hamlet," or the "Trip to Chinatown," he would not be
worth what it cost them both in time and temper.
They lost a good deal of time and temper with the play, which was almost
a conjugal affair with them, and the struggle to keep up a show of gay
leisure before the summering world up and down the coast told upon Mrs.
Maxwell's nerves. She did not mind the people in the hotel so much; they
were very nice, but she did not know many of them, and she could not
care for them as she did for her friends who came up from Beverly Farms
and over from Manchester. She hated to call Maxwell from his work at
such times, not only because she pitied him, but because he came to help
her receive her friends with such an air of gloomy absence and open
reluctance; and she had hated still worse to say he was busy with his
play, the play he was writing for Mr. Godolphin. Her friends were
apparently unable to imagine anyone writing a play so seriously, and
they were unable to imagine Mr. Godolphin at all, for they had never
heard of him; the splendor of his unknown name took them more than
anything else. As for getting Maxwell to return their visits with her,
when men had come with the ladies who called upon her, she could only
manage it if he was so fagged with working at his play that he was too
weak to resist her will, and even then he had to be torn from it almost
by main force. He behaved so badly in the discharge of some of these
duties to society, and was, to her eye at least, so bored and worried by
them that she found it hard to forgive him, and made him suffer for it
Public-domain text, read in full here on John Shaqi.
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