The Story of Alchemy and the Beginnings of ChemistryMuir, M. M. Pattison (Matthew Moncrieff Pattison)
History
The Story of Alchemy and the Beginnings of Chemistry
Muir, M. M. Pattison (Matthew Moncrieff Pattison)
Alchemy; Chemistry -- History
"Try not at first experiments of great cost, or great difficulty;
for it will be a great discouragement to thee, and thou wilt be
very apt to mistake.
"If any one would enter upon the practices of Chymistry, let him
apply himself to some expert artist for to be instructed in the
manual operation of things; for by this means he will learn more
in two months, than he can by his practice and study in seven
years, as also avoid much pains and cost, and redeem much time
which else of necessity he will lose."
Fig. VIII. p. 82, represents a common cold still, and Fig. IX. p. 84,
is a sketch of an apparatus for distilling by the aid of boiling
water. The bath wherein the vessels are placed in Fig. IX. was called
by the alchemists _balneum Mariae_, from Mary the Jewess, who is
mentioned in the older alchemical writings, and is supposed to have
invented an apparatus of this character. Nothing definite is known of
Mary the Jewess. A writer of the 7th century says she was initiated in
the sacred art in the temple of Memphis; a legend prevailed among some
of the alchemists that she was the sister of Moses.
Fig. X. p. 85, represents methods of distilling with an apparatus for
cooling the volatile products; the lower vessel is an _alembic_, with
a long neck, the upper part of which passes through a vessel
containing cold water.
[Illustration: Fig XIII. _See p. 94._]
Fig. XI. p. 88, shows a _pelican_, that is a vessel wherein a liquid
might be heated for a long time, and the volatile products be
constantly returned to the original vessel.
Fig. XII. p. 89, represents a retort with a receiver.
Some of the pieces of apparatus for distilling, which are described
by French, are shown in the following figures. Besides describing
apparatus for distilling, subliming, and other processes in the
laboratory, French gives directions for making tinctures, essences,
essential oils, spirits of salt, and pure saltpetre, oil of vitriol,
butter of antimony, calces (or as we now say, oxides) of metals, and
many other substances. He describes processes for making fresh water
from salt, artificial mineral water, medicated hot baths for invalids
(one of the figures represents an apparatus very like those advertised
to-day as "Turkish baths at home"), and artificial precious stones; he
tells how to test minerals, and make alloys, and describes the
preparation of many substances made from gold and silver. He also
gives many curious receipts; for instance, "To make Firre-trees appear
in Turpentine," "To make a Plant grow in two or three hours," "To make
the representation of the whole world in a Glass," "To extract a white
Milkie substance from the raies of the Moon."
[Illustration: FIG. XIV. _See p. 94._]
The process of making oil of vitriol, by burning sulphur under a hood
fitted with a side tube for the outflow of the oil of vitriol, is
represented in Fig. XIII. p. 92.
Public-domain text, read in full here on John Shaqi.
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