The Story of Ancient Irish CivilizationJoyce, P. W. (Patrick Weston)
History
The Story of Ancient Irish Civilization
Joyce, P. W. (Patrick Weston)
Ireland -- Civilization
What most astonishes a person examining this work is the amazing variety
and minuteness of the patterns, and the perfect smoothness and evenness of
the curves, as if they had been traced by compasses or some other fine
instruments; though they were all drawn by the unaided hand. The scribes
usually made the capital letters very large, so as sometimes to fill
almost an entire page; and on these they exerted their utmost skill. They
painted the open spaces of the letters and ornaments in brilliant colours:
and in this art--an art usually designated ‘Illumination’--the old Irish
scribes also excelled.
Several manuscript-books, ornamented in this manner, have been preserved,
of which it will be sufficient to mention one here--The Book of Kells, now
in Trinity College, Dublin, though there are several others almost equally
beautiful. It is a copy of the Four Gospels in Latin, written on vellum in
the seventh or eighth century. Miss Margaret Stokes, of Dublin, a skilled
artist and a great judge of such matters, who has carefully examined this
book, thus speaks of it:--“No effort hitherto made to transcribe any one
page of this book has the perfection of execution and rich harmony of
colour which belongs to this wonderful book. It is no exaggeration to say
that, as with the microscopic works of nature, the stronger the magnifying
power brought to bear upon it, the more is this perfection seen. No single
false interlacement or uneven curve in the spirals, no faint trace of a
trembling hand or wandering thought can be detected. This is the very
passion of labour and devotion, and thus did the Irish scribe work to
glorify his book.”
Professor Westwood, of Oxford--an English gentleman--who examined the best
specimens of penwork all over Europe, speaks even more strongly. “The Book
of Kells,” he says, “is the most astonishing book of the Four Gospels
which exists in the world. How men could have had eyes and tools to work
out the designs, I am sure I, with all the skill and knowledge in such
kind of work which I have been exercising for the last fifty years, cannot
conceive. I know pretty well all the libraries in Europe where such books
as this occur, but there is no such book in any of them. There is nothing
like it in all the books which were written for Charlemagne and his
successors.”
Public-domain text, read in full here on John Shaqi.
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