I had had the room on the ground floor, next to the salon, prepared for
my mother. I remembered that she had occupied it, when she came to
Compiègne with my father, a few days after her marriage, and I felt
sure that the impression which would be produced upon her by the sight
of the house in the first instance, and then by the sight of this room,
would help me to get rid of my dreadful suspicions. I was determined to
note minutely the slightest signs of agitation which she might betray at
the contact of a resuscitated past, rendered more striking by the aspect
of things that do not change so quickly as the heart of a woman. And
now, I blushed for that idea, worthy of a detective; for I felt it a
shameful thing to judge one's mother: one ought to make an Act of Faith
in her which would resist any evidence. I felt this, alas! all the more,
because the innocent woman was quite off her guard, as was perfectly
natural. She entered the room with a thoughtful look, seated herself
before the fire, and held her slender feet towards the flames, which
touched her pale cheeks with red; and, with her jet black hair, her
elegant figure, which still retained its youthful grace, she shed upon
the dim twilight of the old-fashioned room that refined and aristocratic
charm of which my father spoke in his letters. She looked slowly all
around her, recognising most of the things which my aunt's pious care
had preserved in their former place, and said, sorrowfully: "What
recollections!" But there was no bitterness in the emotion depicted on
her face. Ah! no; a woman who is brought, after twenty years, into the
room which she had occupied, as a bride, with the husband whose murder
she has contrived after having betrayed him, has not such eyes, such a
brow, such a mouth as hers.
Public-domain text, read in full here on John Shaqi.
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