These three places near Assisi, so intimately associated with St. Francis, were in a way emblematic of the various stages in the rise and growth of his young community, and we shall see that the saint went from one to the other, not by chance, but with a settled purpose in his mind. The Carceri he kept as a something apart from, and outside his daily life; it was a hermitage in the strict sense of the word, where, far from the sound of any human voice, he could come and live a short time in isolated communion with God. As his followers increased, and the Order he had founded with but a few brethren developed even in its first years into a great army, we can easily understand the longing for solitude which at times became too strong to be resisted, for his nature was well fitted for the hermit's life, and it called him with such persistence to the woods among the flowers and the birds he loved, that had he been less tender for the sufferings of others, more blind to the ills of the Church, it is possible that the whole course of events might have been altered. Giotto would not have been called to Assisi, or if he had been, the legends told to him by the friars might not have inspired him to paint such master-pieces as he has left us in the Franciscan Basilica; and we should now be the poorer because St. Francis had chosen seven hundred years ago to live in an Etruscan tomb at Orte, or in a grotto on Mount Subasio. So much depended, not only upon what St. Francis achieved, but on the way in which he chose to work. Who therefore can tell how much we owe to the little mountain retreat of the Carceri, where, spending such hours of wondrous peace surrounded by all that he most cherished in nature, the saint could refresh himself and gain new strength for long periods of arduous labour among men. [Illustration: HERMITAGE OF THE CARCERI]