In 1796 Judge Cooper commenced the construction of his new residence,
Otsego Hall, which he completed and began to occupy, in June, 1799. The
new house stood near the centre of what are now known as the Cooper
Grounds, on the site marked by the statue of the Indian Hunter. Otsego
Hall was for many years the largest private residence in the newer parts
of the State, and remained as the finest building in the village until
it was destroyed by fire in 1852. It is said to have been originally of
the exact proportions of the van Rensselaer Manor House at Albany, where
Judge Cooper was a frequent visitor.
On one occasion, in early days, when Judge Cooper was away from home,
fire broke out in the Hall, and an alarm given by the neighbors brought
the volunteer fire department to the scene. Mrs. Cooper firmly took
charge of the situation. Locking the doors of the house she called out
to the servants, "You look out for the fire, and I'll attend to the fire
department!" With this she poured hot water from a second-story window
upon the firemen, and quickly drove them away.
FOOTNOTES:
[Footnote 61: "The Bold Dragoon" of Fenimore Cooper's novel, _The
Pioneers_.]
[Footnote 62: The original of Richard Jones, in _The Pioneers_.]
[Footnote 63: Plough-Jogger was the pseudonym of Jedediah Peck.]
[Footnote 64: _Address at Cooperstown Centennial_, Walter H. Bunn.]
[Footnote 65: _Reminiscences_, Levi Beardsley, p. 89.]
[Footnote 66: Beardsley's _Reminiscences_.]
[Footnote 67: _Chronicles of Cooperstown_.]
[Footnote 68: _James Fenimore Cooper_, Mary E. Phillips, p. 26. The
organ is now at Fynmere.]
CHAPTER VI
OLD-TIME LOVE AND RELIGION
Enough has been recorded to show the general character of Cooperstown as
it existed at the close of the eighteenth century. A more intimate view
of its life at this period is suggested by a package of faded letters,
some of which are here printed, not as supplying historical data, for in
this they are quite lacking, but because whoever reads them with
imagination begins to breathe the atmosphere of the time of their
writing, and in the charm of their feminine confidences discovers a side
of frontier life that is not otherwise revealed.
Public-domain text, read in full here on John Shaqi.
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