There can be no question that Smeaton was "a born mechanic;" and to
the end of his days a mechanic he remained, finding his greatest
pleasure in mechanical pursuits. It is told of him that when new
gates were erected at the entrances to Temple-Newsham Park, near his
house at Austhorpe, he offered to supply the design; and they were
accordingly constructed and hung after his plans. In the popular
opinion, however, his noblest work, surpassing even the Eddystone
lighthouse, is the ingenious hydraulic ram, by means of which the
water is still raised in the beautiful grounds of Temple-Newsham.
Occasionally he diversified his occupations in his atelier, and at
his desk, by visits to his smithy. Here he was wont to experiment
upon a boiler, the lower part of copper and the upper of lead, which
he had fitted up in an adjacent building, for the purpose of
ascertaining the evaporative power of different kinds of fuel, and of
settling other questions connected with the all-absorbing subject of
steam-power. [Sidenote: File _versus_ hammer.] He was on the best of
terms with his smith, and if he thought him not very dexterous in the
execution of any particular piece of work, he would take the tools
himself, and show him how it ought to be done. He was fond of
repeating the maxim, "Never let a file come where a hammer can go."
[Sidenote: "Queer-fangled things."]
When superintending the various works on which he was successively
employed, if any workman showed a lack of skill, or seemed unable to
proceed, he would at once take his tools and finish the task himself.
"You know, sir," said the son of Smeaton's blacksmith to an inquirer,
"workmen didn't know much about drawings at that time a-day, and so
when Mr. Smeaton wanted any queer-fangled thing making, he'd cut one
piece out of wood, and say to my father, 'Now, lad, go make me
this,'--and so on for ever so many pieces; and then he'd stick all
those pieces o' wood together, and say, 'Now, lad, thou knows how
thou made each part, go make it now all in a piece.' And I've heard
my father say 'at he's often been cap't to know how he could tell so
soon when owt ailed it; for before ever he set his foot at t' bottom
of his twisting steps, or before my father could get sight of his
face, if t' iron had been wrong, thear'd been an angry word o' some
sort, but t' varry next words were, 'Why, my lad, thou o'ud a' made
it so and so: now go make another.'"
It is related by his daughter, Mrs. Dickson, that early in life
Smeaton attracted the notice of the eccentric Duke and Duchess of
Queensberry, owing to the remarkable personal likeness between him
and their favourite Gay, the poet.
Their first acquaintance was made under sufficiently singular
circumstances.
Public-domain text, read in full here on John Shaqi.
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