The arts of peace, such as the manufacture of wool and silken stuffs,
were known in the middle ages in spite of the want of water (the hand
and foot looms of Perugia are almost prehistoric in their simplicity),
and in 1297 we hear of the magistrates of Perugia sending an embassy
into Lombardy to fetch two friars thence who should teach their
townsfolk the secrets of weaving. This art was zealously kept up for
many years, but finally it fell into decay. A branch of it has lately
been revived by a Milanese lady, and thanks to her efforts we are again
able to buy the strange flame-patterned carpets which we find on the
altars of so many of the older Umbrian churches.
* * * * *
Except in the Corso, life seems very quiet in Perugia. Yet though there
is poverty, there is none of that feeling of decayed splendour, of
arrested magnificence and luxury which we feel in so many cities of
Italy. The Perugians were probably never very luxurious. There are one
or two beautiful old palaces, but they are plain to look at, and the
palaces of the nobles had a bad time of it and were constantly pulled to
bits as their different owners were driven into the country. The town is
a town of a strong people; it is dignified and peaceful. When the wind
is not battering about its roofs and howling through its narrow streets
one becomes aware of an extraordinary silence.
And in that silence the questions rise--one cannot stifle them: Where
are the _Beccherini_ and where are the _Raspanti_? Are the Baglioni
really dead, and the Oddi, where are they? And the Flagellants and the
_Penitenti_--have even their ghosts departed? Will not a pope ride in at
the gates with his nephews and his cardinals and take up peaceful
quarters in the grim Canonica? Will not some warlike Abbot come and
batter down the church towers to build himself a palace? Will no
procession pass us with a banner of Bonfigli, and women wailing that the
plague should be removed?...
The snow falls silently upon the roads in winter. No blood of nobles
stains it. In May all Umbria is green with crops. No _condottiere_
comes to trample down the corn. But high upon her hill-top Perugia
stands as she stood then, and in her silence seems to wait for something
yet to come.
* * * * *
Public-domain text, read in full here on John Shaqi.
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