Leaving the _Sala dei Notari_ one crosses the main staircase of the
palace, and passes into the living heart of the building, into a network
of separate rooms and offices which it is not necessary to describe at
length. The _Sala del Consiglio Comunitativo_, or _d'Udienza_, is
beautifully decorated with crimson damask, and delicate arabesques, and
has a fine open fire-place carved in _pietra serena_. Adone Doni's
picture of Julius III. (see page 181) is hung in this room, and from it
one can gain a pretty accurate knowledge of what the _Priori_ and the
potentates of Perugia looked like in their gala clothes. In the _Sala
degli Archivi_ there is a fresco of Parnassus by Baroccio. The colour is
very fresh still, and the nymphs seem hopelessly out of place above the
piles of dusty archives.
There is a curious history connected with the _Sala del
Malconsiglio_--that room with the exquisite fresco by Fiorenzo di
Lorenzo over its main entrance door.[53] It was here that the celebrated
debate took place concerning the English prisoners (Hawkwood's men) whom
the Perugians succeeded in capturing during the great fight down by the
Tiber. The prisoners concocted a letter as they lay in their cells, and
in the most pathetic terms they appealed to their capturers; "We too are
Christians," they urged, "but we die of thirst. Have mercy upon us, have
mercy on your poor captives, _your English vassals_." The Perugians,
moved, or more probably flattered by the cringing words, in a moment of
ill-timed leniency, let their captives free. They lived to regret the
action. A short time later Hawkwood and his men attacked them in another
battle on the bridge of S. Giovanni. The English gained an easy victory,
1500 of the Perugians fell, and the _Podestà_ and the German captain of
their troops were taken prisoners together with a host of other men.
Thus it came about that the room in which the council met to decide the
release of the English was thenceforth called the _Sala del
Malconsiglio_ in memory of the lamentable decision witnessed by its
walls.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account