The story of the Rhinegold (Der Ring des Nibelungen) told for young peopleChapin, Anna Alice
General
The story of the Rhinegold (Der Ring des Nibelungen) told for young people
Chapin, Anna Alice
Operas -- Stories, plots, etc. -- Juvenile literature; Wagner, Richard, 1813-1883 -- Stories, plots, etc. -- Juvenile literature
In slow, solemn tones, she ordered a funeral pyre to be lighted on the
banks of the Rhine, and, bending over Siegfried, she spoke tenderly of
his love and of his nobility and truth.
Then, turning away, she raised her arms on high and broke into
sublime words, in which she reproached Wotan for his wrath, and added
that already his Ravens were on their way to Walhalla to carry the
long-deferred tidings of the last Twilight—so close at hand.
“Rest! Rest! O gods!” she said, softly, and paused. She turned towards
Siegfried again and drew the Ring from his finger. Then she spoke to
the three invisible Rhine children, and told them to take the circlet
from her ashes when she had been burned with her hero.
The pyre was erected now, and Siegfried’s body had been placed upon it.
Grani was led in, and Brünnhilde laid her arm upon his neck tenderly,
and spoke of the warrior who was dead and of the leap into the flames
they were both about to take. Wildly, she seized a torch and lighted
the pyre; and, as the flames rose high, she sprang upon the horse’s
back and raised him for a leap.
“Siegfried! Siegfried! See!” she cried—and her voice echoed both far
and near. “Gladly greets thee thy bride!”
Into the flames sprang Grani, the stanch war-horse, and the Walküre
was gone from the eyes of men forever. But, behold! Her deed brought
release from the sin and sorrow of many years.
The flames, rising high and higher, made a great fiery wall between
the earth and sky. The Rhine Maidens swam up to the shore and caught
a bright circlet lying near in the midst of a heap of ashes. Hagen,
springing after it, was lost in the Rhine’s rushing waters forever.
But now a wonderful sight met the gaze of the awe-stricken people
crouching in the hall of the Gibichungs.
In the high heavens, Walhalla’s stately towers appeared in a bright
ring of fire. The fagots made from the World-Ash had at last caught
fire. Dimly could be seen the great array of gods and heroes awaiting
the Last Twilight, and the end.
Wildly, and still more wildly, leaped the flames. Walhalla was
surrounded with red fire—it could no longer be seen. A fearful light
glowed upon earth and heaven.
Lo! the Dusk of the Gods was come.
* * * * *
And that was how the Last Twilight came to Walhalla, and how Brünnhilde
lifted the spell off the world and expiated the old sins of so many
years before.
And that was how the Golden Age came to an end, and a better and nobler
era of truth and happiness reigned upon the earth.
So the enchanted Rhinegold came back to the hands of its first
guardians—the maidens of the river; and, after great sorrow and
turmoil, there was at last peace.
[Music: Motif of Brünnhilde’s Expiation]
FINIS
Public-domain text, read in full here on John Shaqi.
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