First of all it was sweet, passing sweet, to stand there beside
Hildred. That was an old thought. It remained the same, while the
rest shifted, and flitted to and fro, first one way, then another,
like leaves that the wind plays with and blows about as it will. The
tree--it would not be standing half an hour hence. Where would the
rooks that had built in it for three summers past have their nest next
spring? Cuthbert's strokes bit deeper into the tough heart-of-oak than
any of the others. He was stronger even than Matt Clifford. Poor tree,
it was hard for it, Hildred said just now, to leave its fair woodland
world. Yes, and it would be hard to leave a great many things if one
had to do so, first and foremost--I broke off there, for they had got
a rope round the trunk, and Clifford called out to the men to stand
clear. The great tree tottered. Hildred shouted with the rest, and
clapped her hands.
Well, I must see it down now, though I really ought to be where the
ploughs are going over the sunny 'Seven Acres,' on the hill, a mile
away from here. Then I looked again at Hildred, perched laughing on her
mossy seat, with the golden fern at her feet and the dark woods behind
her, and I tried to find a rhyme to the word 'winsome' to end some
verses I had been making in my head.
Master Caleb Morton had not given up lending me books, in the years
since I had ceased to be a scholar of his, and ploughmen and shepherds,
he told me, had been poets before now; so I tried to make verses too.
I kept them very secret, never telling anyone about them, not even
Hildred--whom indeed they chiefly concerned--or Cuthbert. Many an
hour's hard work I beguiled by stringing my rhymes together, always
hoping I was making something that would be beautiful.
But I was a poor scholar, for all Cuthbert and Hildred said, I was
fonder of hard words than Master Caleb himself. My lines would not
often come right. I was not good at putting my thoughts in harness.
They were like a team that will not go together. Some got on too fast
and covered too much ground, and others stood still, or else wanted
to go off at quite a different pace. So I got disheartened. Besides,
what was the use of such poor words as I could find? If I called the
sunshine 'golden,' was that half bright enough for the life-giving
light? And if I said the wind whispered, or the river sang, it was not
what I meant.
Public-domain text, read in full here on John Shaqi.
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