The Strand Magazine, Vol. 01, Issue 02, February 1891: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 01, Issue 02, February 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
The Mint does not confine itself to the production of coins, but strikes
thousands of medals every year for the War Office, the Board of Trade,
the University of London, the Royal and other Societies. It may be
remembered that Pope addressed some admirable lines to Addison _à
propos_ of one of his dialogues, on the historic virtues of the medal.
He pictures all the glories and triumphs of the Imperial ambition of
Rome shrunk into a coin. "A narrow orb each conquest keeps," he says,
and he demands when Britain shall "in living medals see her wars
enrolled," and "vanquished realms supply recording gold." The historian
must always bear grateful testimony to the assistance derivable from the
metallic tokens of a country, no matter whether they show "a small
Euphrates," or merely an inscription, and the head of the sovereign.
They are imperishable witnesses in the cause of accuracy and truth.
[Illustration: WEIGHING ROOM.]
FOOTNOTES:
[A] The Imperial Mint supplies the whole Empire with coinage, except
Australasia, which is supplied largely by mints in Sydney and Melbourne,
and India, which has mints in Calcutta and Bombay.
_Slap-Bang._
FROM THE FRENCH OF JULES CLARETIE.
[JULES CLARETIE was born at Limoges, in 1840, and is still a
well-known figure in the literary world of Paris. No man is more
prolific; histories, novels, articles, short stories, plays, pour
without cessation from his pen. Jules Claretie is a man of the most
varied gifts. His best known achievement is his "History of the
Revolution," in five volumes--a monumental work. But there are
those (and we confess ourselves among them) who would rather be the
author of the lovely little story of child-life which we lay before
our readers under the title of "Slap-Bang."]
I.
The little boy lay pale and listless in his small white cot, gazing,
with eyes enlarged by fever, straight before him, with the strange
fixity of illness which seems to see already more than is visible to
living eyes. His mother, sitting at the bottom of the bed, biting her
fingers to keep back a cry, noted how the symptoms deepened on the
ghostly little face; while his father, a strong workman, brushed away
his burning tears.
Public-domain text, read in full here on John Shaqi.
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