Of Lord Dufferin's official life it is not necessary to say much; his appointment here was putting the right man in the right place, such satisfactory proof has he always given of his splendid abilities, keen tact, and nicety of judgment. More than one crisis has he successfully tided over, earning the unbounded gratitude of his country. Few men, perhaps, have held so many and important positions under the Crown as he. Born at Florence in 1826, he was educated at Christ Church, Oxford; became a Lord-in-Waiting to Her Majesty in 1849; went with Lord Russell on a special mission to Vienna in 1855; on a mission to Syria in 1860; was made Lord-Lieutenant of County Down in 1864: Under-Secretary of State for India in 1864; Under-Secretary for War in 1866; Chancellor and Paymaster for the Duchy of Lancaster in 1868; Governor-General of Canada in 1872; Ambassador to St. Petersburg in 1879; to Constantinople in 1881; was sent on a Special Commission to Egypt in 1882; was made Viceroy of India in 1884; Ambassador to the King of Italy in 1888; Ambassador at Paris in 1891. In the Red Saloon many instances of the artistic ability of Lord Dufferin may be seen: indeed, the crimson-covered walls are profusely hung with his water-colours. Amongst others, I noticed the "Ruins of Fort Ticonderoga" (where the 42nd Regiment was cut up), the "Indian's Grave," "Artillery Ground at Quebec," "Killyleagh Castle," and some descriptive of the Iceland journey of his lordship. While thinking of the Marquis of Dufferin as a clever statesman, an artist, and a literary man, it must not be forgotten that he is also a very fine orator. His various speeches make splendid reading: instructive, eloquent, and always well to the point before him. Perhaps there are no better of his on record than those made in Canada, when the rugged sons of toil who listened to him went almost wild with delight. At that time people had scarcely commenced to settle in places which are now prosperous cities and towns, and Lord Dufferin did splendid service by visiting outlying regions and pointing out possibilities of new commerce and new sources of income. [Illustration: THE QUEEN'S ROOM. _From a Photo. by Gunn & Stuart, Richmond._] The Queen's Room is very handsomely decorated in blue and gold, and is one of the suite of drawing-rooms on the ground floor; it takes its name from a magnificent full-length painting of Her Majesty. Buhl tables, furniture of gold and silk brocade, ormolu decorations, and carved marble combine to make an exquisite display. As with the other drawing rooms, it opens out on to the Promenade Gallery.