The Strand Magazine, Vol. 07, Issue 41, May, 1894: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 07, Issue 41, May, 1894: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Another artist, presumably in a similar condition of benignity,
arriving home very late, softly unlocks the street door, goes up
stairs, very softly enters his bedroom, and undresses--very softly, so
as not to disturb his wife, and finally creeps into bed--likewise very
softly and gently; to be startled by his better half asking him--very
softly and gently, no doubt--if he is aware that he has got into bed
with his top-hat on!
One member always raises a hearty laugh by his imitation of a
brother member--a man of the greatest good humour, but of third-rate
ability--who, debating with another artist on the great Whistler
question, thus sums the matter up: "If Whistler is right, then you, and
me, and Michael Angelo are all wrong."
Sometimes in this way one may pick up some interesting anecdotes of the
men of a past generation. Holland, the famous landscape painter, who
was once a member, used to have many anecdotes about Turner. On one
occasion he was sitting near to him at dinner, when a lady observed to
him that she admired his pictures very much, although she could not say
that she understood them. "Don't you wish you had the brains to do so?"
replied Turner--a little rudely, it must be confessed.
[Illustration: THE LIFE CLASS.
_Drawn by W. Douglas Almond._]
Members take it in turns to "set" the models, who generally pose for an
hour, then take a short rest, and afterwards sit for another hour. They
are placed on a raised platform under a top light, the artists being
ranged in a semicircle facing them. No one is allowed to speak to the
model except the member whose duty it is to set him or her, and the
utmost silence is enjoined. Some of the models take great interest in
the work of the artists, and like to see what they have made them look
like. Many curious characters are found amongst them, and the stories
of their humours and oddities are endless and infinitely diverting.
Not the least amusing is that of the man who had posed for apostles and
saints so long that he could not be induced to sit for a common coster.
"It would be such a come-down, sir," he said, with a rueful
countenance. There is also a story--possibly apocryphal--of a model who
had got beyond sitting deploring his changed estate, in that he who had
sat for "lords and cardinals" was reduced to "wet-nursing a kangaroo"
(having obtained employment at the Zoo).
Public-domain text, read in full here on John Shaqi.
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