which almost touch their chins, and over their shoulders carry enormous hatchets. Their strange costume seemed to unite the dissimilar characters of high priest, and warrior. They looked like _military magi_. The common men made a very martial appearance. Their officers wore english riding boots, which had an unmilitary effect. Paris at present exhibits all the appearances of a city in a state of siege. The consular palace resembles a line of magnificent barracks, at the balconies, and upon the terraces of which, soldiers are every where to be seen lounging. This palace is partitioned between the first and second consuls, the third principal magistrate resides in a palace near the Louvre, opposite to the Thuilleries. The four colossal brazen horses, called the venetian horses, which have been brought from Venice, are mounted upon lofty pedestals, on each side of the gates of the grand court yard of the palace. When the roman emperor Constantine founded Constantinople, he attached these exquisite statues to the chariot of the Sun in the hippodromus, or circus, and when that capital was taken possession of by the venetian and french crusading armies, in 1206, the venetians obtained possession of them, amongst many other inestimable curiosities, and placed these horses in four niches over the great door of the church of St. Marco. Respecting their previous history, authors very much differ; some assert that they were cast by the great statuary Lysippus, in Alexander's time, others that they were raised over the triumphal arch of Augustus, others of Nero, and thence removed to the triumphal arch of Constantine, from which he carried them to his own capital.