The Stranger's Handbook to Chester and Its Environs: Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall.Hughes, Thomas
History
The Stranger's Handbook to Chester and Its Environs: Containing a short sketch of its history and antiquities, a descriptive walk round the walls, and a visit to the cathedral, castle, and Eaton Hall.
Hughes, Thomas
Chester (England) -- Guidebooks
The monuments within the Church are of considerable interest. One there
is, in the north aisle, profuse in heraldic display, to the imperishable
memory of the four RANDAL HOLMES, local antiquaries and heralds of
considerable note, whose united Cheshire collections fill more than 250
MS. volumes in the British Museum. The third Randal was the author of
that extraordinary and scarce heraldic work,—the “Academy of Armory”
published in 1688. An elegant modern brass, and two altar-tombs of
curious workmanship, adorn St. Catherine’s Chapel, at the end of this
aisle. One of the latter remembers Thomas Gamull, Recorder of Chester in
1613, son of Edmund Gamull, aforetime Mayor of Chester, and father of the
celebrated royalist Sir Francis Gamull, who suffered sequestration of his
estates during the Usurpation. The recumbent figures of the Recorder and
his wife Alice appear upon the tomb; and at the feet of the lady kneels
their infant son, afterwards the loyal Sir Francis Gamull. Their three
infant daughters, holding skulls in their hands, and two elaborate
shields of arms, ornament the side of the tomb. A similar tomb near
bears the half-recumbent effigy of Philip Oldfield of Bradwall, dressed
in the costume of the period, with a long gown and ruff, and a roll in
his left hand. The figures of his four sons, each bearing a shield of
arms, support the slab on which he leans, and between them a painted
skeleton, in a similar attitude to the effigy, appears on the side of the
tomb. Two daughters kneel at his head, and these also bear shields, in
token of their marriage. Both these monuments are deserving the
attention of the curious.
One of the north windows, by the side of these relics, is filled with
stained glass. The east window also of this aisle, attracting the eye of
the visitor the moment he enters, has just been adorned with an obituary
memorial of intense national interest. Erected by public subscription,
this window commemorates the glorious deeds of the gallant 23rd Regiment
(Royal Welsh Fusileers) at the battles of Alma, Inkermann, and Sebastopol
in 1854–5. The 23rd is a regiment highly esteemed by the Cestrians, nay,
almost regarded by them as their own; and most of those brave spirits,
officers and men, who nobly fell “with their faces to the foe” on those
hard-won fields, had but a few months before regularly attended divine
service at ST. MARY’S CHURCH. The subject represented in the window is
Aaron and Hur holding up the hands of Moses, while the patriarch blesses
the warring hosts of Israel; for as we read, in Exodus xvii. ver. 11, 12,
“Moses’ hands were heavy, and Aaron and Hur stayed up his hands, the one
on the one side, and the other on the other; for it came to pass, that
when Moses held up his hands Israel prevailed, and when his hands fell
down, Amalek prevailed.” It is a pretty and appropriate subject for such
a memorial as this, implying the Christian Soldier’s dependence upon the
God of Battles!
Public-domain text, read in full here on John Shaqi.
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