The sturdy oak : $b a composite novel of American politics by fourteen American authors
General
The sturdy oak : $b a composite novel of American politics by fourteen American authors
New York (State) -- Fiction; Political fiction; Satire; Suffragists -- Fiction; Women -- New York (State) -- Fiction; Women -- Suffrage -- Fiction
"That Miss Eliot--the real estate woman, you know--" George stiffened
into an attitude of close attention--"spoke about the conditions under
which women are working in the mills in this city and in the rest of the
county--" Genevieve averted her mirrored eyes from his mirrored face.
She moved toward her dressing-table.
"Oh, she did! and is the Woman's Forum going to come to grips with
the industrial monster and bring in the millennium by the first of the
year?"
But George was painfully aware that light banter which fails to be
convincingly light is but a snarl.
Genevieve colored slightly as she studied the condition of a pair of
long white gloves which she had taken from a drawer.
"Of course the Woman's Forum is only for discussion," she said mildly.
"It doesn't initiate any action." Then she raised her eyes to his face
and George felt his universe reel about him.
For his wife's beautiful eyes were turned upon him, not in limpid
adoration, not in perfect acceptance of all his views, unheard,
unweighed; but with a question in their blue depths.
The horrid clairvoyance which harassment and self-distrust had given
him that afternoon enabled him, he thought, to translate that look.
The Eliot woman, in her speech before the Woman's Forum, had doubtless
placed the responsibility for the continuation of those factory
conditions upon the district attorney's office, had doubtless repeated
those damn fool, impractical questions which the suffragists were
displaying in McMonigal's windows.
And Genevieve was asking them in her mind! Genevieve was questioning
him, his motives, his standards, his intentions! Genevieve was not
intellectually a charming mechanical doll who would always answer "yes"
and "no" as he pressed the strings, and maintain a comfortable vacuity
when he was not at hand to perform the kindly act. Genevieve was
thinking on her own account. What, he wondered angrily, as he
dressed--for he could not bring himself to ask her aid in escaping
the Herringtons and, indeed, was suddenly balky at the thought of the
intimacies of a domestic evening--_what_ was she thinking? She was not
such an imbecile as to be unaware how large a share of her comfortable
fortune was invested in the local industry. Why, her father had been
head of the Livingston Loomis-Ladd Collar Company, when that dreadful
fire--! And she certainly knew that his uncle, Martin Jaffry, was the
chief stockholder in the Jaffry-Bradshaw Company.
What was the question in Genevieve's eyes? Was she asking if he were the
knight of those women who worked and sweated and burned, or of her and
the comfortable women of her class, of Alys Brewster-Smith with
her little cottages, of Cousin Emelene with her little stocks, of
masquerading Betty Sheridan whose sortie of independence was from the
safe vantage-grounds of entrenched privilege?
Public-domain text, read in full here on John Shaqi.
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