There was a mishap on the way. An axle broke and delayed the homeward
journey several hours. The accident did not disturb him. He rather
welcomed it. He was alone and while the driver went to the nearest
village to get the axle repaired Albert stretched himself at the edge of
a field of ripening grain and watched the colorful patches in the sky.
In spots the clouds seemed piled upon one another, a heap of them, with
protruding ends trimmed with saffron and jade, and some were like huge
rugged castles, with many turrets. Soon his eyes were fixed upon one to
the left. It was a long stretch of watery green with a number of peaks
and lower down there appeared to be a row of windows. Yes, it looked
like his uncle’s villa. In the foreground was the broad terrace, back of
it the long doors and French windows, and farther back, higher up, was
the roof. The last window to the right belonged to Hilda’s room. He
gazed upon it intently and was conscious of a peculiar pleasurable
feeling. And there, farther down, near the horizon was a cloud in the
shape of the marble well, with sphinxes engraved on the side, and those
streaks of light were like the poplars along the path leading to the
beach. For a moment he was superstitious. That was a sign from heaven.
He saw good omens in everything about him. A lark was rising, trilling
short, sweet notes in his flight toward the clouds. The lark was
himself.
Two young peasant women were walking past him with scythes and sickles
slung over their shoulders. They were barefooted, bareheaded, with short
skirts of unbleached linen and loose shirts that looked like, blouses.
They glanced at him lying on his back, then looked at each other, and
burst out laughing. The older one said something to the younger of the
two who answered with a resounding slap on the older one’s back, and
they both roared with laughter once more. He was conjuring up the image
of Hilda when the last peal of laughter broke the spell. He looked
around. The peasant girls halted in the adjoining field for work.
Public-domain text, read in full here on John Shaqi.
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