[70] This unfortunate woman was celebrated for her beauty
and, with one important exception, for her virtues; and, if
her vanity could not resist the fascination of a royal lover,
her power had been often, it is said, exerted in the cause of
humanity. Notwithstanding the neglect and ill-treatment
experienced from the ingratitude of former fawning courtiers
and people, she reached an advanced age, for she was living
in the time of Sir Thomas More, who relates that 'when the
Protector had awhile laid unto her, for the manner sake, that
she went about to bewitch him, and that she was of counsel
with the lord chamberlain to destroy him; in conclusion, when
no colour could fasten upon this matter, then he laid
heinously to her charge the thing that herself could not
deny, that all the world wist was true, and that natheless
every man laughed at to hear it then so suddenly so highly
taken--that she was naught of her body.'--_Reign of Richard
III._, quoted by Bishop Percy in _Reliques of Old English
Romance Poetry_. The deformed prince fiercely attributes his
proverbial misfortune to hostile witchcraft. He addresses his
trembling council:
'Look how I am bewitch'd; behold mine arm
Is, like a blasted sapling, wither'd up:
And this is Edward's wife, that monstrous witch,
Consorted with that harlot, strumpet Shore,
That by their witchcraft thus have marked me.'
_Richard III._ act iii. sc. 4.
Public-domain text, read in full here on John Shaqi.
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