French fiction -- Translations into English; Short stories, French -- Translations into English
"No more than before. While I am writing, I am, in spite of myself,
possessed by the absolute. I take too vaulting a leap toward truth. Then
I realize that men will shrug their shoulders and call me mad, and I
question whether it is not in fact madness to try to bring to
intelligences of to-day knowledge which belongs to the far future.
Furthermore, no matter how strongly I have felt myself fortified on all
sides by evidence, a fury of criticism has hurled me to the attack of my
fortress of truth. It took two years to reduce my five-hundred-page book
to two hundred pages. Four more years of work--and a notebook of perhaps
fifty pages is all that is left--the bone and marrow of the whole
matter, for my aim has been to eliminate, one by one, every element of
possible uncertainty."
"And now there remains no doubt, I suppose?"
"Nay, doubt remains. Is it strength or weakness of mind? I cannot say.
If I have time to go on working, nothing will be left of my work, and I
shall have made the great journey, from reason that seeks to folly that
finds, and from folly that knows to reason which, very wisely, still
doubts."
The Abbé died six months later, leaving all he had to the poor. Besides
his will, not a single page of writing was found among his belongings.
The village priest came to see him in his last hour. He spoke to him of
God--bade him believe, alleging that science led to doubt--whereas
faith----
"Then you yourself are sure, are you?" asked the dying man.
"Certainly--I know with absolute certainty."
"Reverend sir, I once spoke as you are speaking. Only ignorance is
capable of such proud utterances. Grant to a dying man the privilege of
delivering this lesson. I who have aspired to know, know that you know
no more than I--even less--I dare affirm it. It is really not enough to
justify taking up so much room in the sunshine!"
X
BETTER THAN STEALING
The man from Paris is a natural object of hatred to the poacher. I refer
to the hunting man from Paris, who raises game for his own sport in
carefully preserved enclosures. This ostentatious personage, who comes
and fills the countryside with special guards to keep the aggrieved
pedestrian out of glades and plains and bypaths, seems to the rustics a
pernicious intruder, in a state of legal warfare against the countryman,
who feels himself the friend and legitimate owner of the animals, furry
or feathered, with whom his labour in the fields has made him well
acquainted. All is fair play against this "maker of trouble." The only
thing is not to get "pinched."
Then begins a warfare of ambushes and ruses with the band of
gamekeepers, who, having the law on their side, always end by getting
the better of those whose only argument of defence is the "natural
right" of a man to destroy wild life.
Public-domain text, read in full here on John Shaqi.
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