The Sword of Deborah: First-hand impressions of the British Women's Army in FranceJesse, F. Tennyson (Fryniwyd Tennyson)
History
The Sword of Deborah: First-hand impressions of the British Women's Army in France
Jesse, F. Tennyson (Fryniwyd Tennyson)
World War, 1914-1918 -- Women
The house was originally a butter market, and the entrance room, set
about with little tables where the relations have their meals, has one
side entirely of glass; the lounge beyond, which is for the staff, is
glass-roofed, while that opening on the right hand of the dining-place,
the lounge for the relations, has long windows all down the side; so it
will be seen that light and air are abundant on the ground floor of the
Hostel in spite of the fact that it looks on to a courtyard.
From the relations' lounge, with its slim vermilion pillars ringed about
with seats like those round tree-trunks, there goes up a curving
staircase of red tiles, with a carved baluster of oak greyish with age,
a griffon sitting upright upon the newel. Up this staircase I was taken
to my room, and there the completion of peace came upon me.
One could see at a glance it would be quiet, beautifully quiet. Its
window gave on to the sloping grey flanks of pointed roofs and showed a
filigree spire pricking the pale bubble of the wintry sky, its walls
were panelled from floor to ceiling, its hangings were of white and
vermilion, its floor dark and polished, and on the wide stone hearth
burned a wood fire. And, to crown all, after tiny huts, it was so big a
room that the corners were filled with gracious shadow; and the
firelight flickered up and down on the panelling and glimmered in the
polished floor and set the shadows quivering. I lay back in a
vermilion-painted chair and felt steeped in the bath of restfulness that
the place was.
The whole house was very perfectly "got-up," the maximum of effect
having been attained with the minimum of expense, though not of labour;
it all having been achieved under the direction of a former
superintendent with a genius for decoration, who is now V.A.D. Area
Commandant and still lives at the Hostel. The evening I arrived there,
she and the staff were busy stenciling a buff bedspread with blue
galleons in full sail, varied by gulls. Everything is exceedingly
simple, there is no fussy detail, nothing to catch dirt. The walls are
all panelled, and painted either ivory or dark brown; the furniture is
of wicker and plain wood, painted in gay colours--rich blues and
vermilion; the tablecloths are of red or blue checks. In the spacious
bedrooms are simple colour schemes--in one there are thick, straight
curtains of flaming orange, in another of a deep blue, in another of
red and white checked material. The floors are of polished wood or red
tiles strewn with rugs; vivid-coloured cushions lie in the easy chairs;
and set about in earthen jars are great branches of mimosa and lilac
from the South, boughs of pussy-willow, the tender velvety grey ovals
blossoming into fragile yellow dust; all along the sills are indoor
window-boxes filled with hyacinths of pink and white and a cold faint
blue.
Public-domain text, read in full here on John Shaqi.
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