Italy -- History -- 20th century -- Fiction; Man-woman relationships -- Fiction; Rich people -- Fiction
“No; her mother, also a mill-worker, is alive, but she was disabled
for a time, and the girl had to toil for both. In the same mill the
mother met with an accident which left her face scarred terribly.
She is here now with her daughter. Only yesterday was she let out of
prison.”
Hera indicated a bed a few yards away where a woman was kneeling in
prayer.
“It is a cruel, often-told tale,” Mario said. “In the days when most
of our factories were built the world had not thought much about the
moral welfare or health of those obliged to work in them. With our
enlightenment about other things, we have learned that forces for
combating foes of the public health are as important to the state as
the army or navy. New laws are compelling builders of factories to have
a care for the health of the workers.”
“The laws that the New Democracy has given the country,” she said,
aware that Mario more than any man in Italy had worked to this end.
“Something has been accomplished,” he told her, “but the work is only
begun. Do you know what mill this girl worked in?”
“Yes,” she answered, but said no more, and he understood. In all the
Tarsis silk-mills child labour was employed.
They saw the woman rise from prayer, look down upon the face of her
child, and, with a shriek that resounded through the ward, bringing
patients up from their pillows and nurses running to the bedside, fall
upon the girl’s body, wailing, and beseeching the ashen lips to speak.
“Don’t go, Giulia! Don’t leave me! You are all I have!”
With the others Hera drew near and yielded to an impulse to speak to
the mother so alone in her grief. The sound of her voice hushed the
woman’s sobbing. She looked into Hera’s face, heavily at first, then
set her gaze more sharply and passed a hand over her brow like one
of bewildered senses. Another moment and she sprang to her feet, a
malediction on her tongue, and the scar across her eyelid and cheek
glowing angrily, as it had that day in the Cathedral square when she
shook her fist at Tarsis and his bride.
“It’s her husband’s work!” La Ferita cried, pointing her finger at
Hera. “He killed my Giulia. He worked the life out of her in his
factory; gave her fifteen _soldi_ for ten hours, and when she could
toil no more left her to die like a whelp. And for what? That he might
have a palace for her Excellency, and horses, carriages, jewels, and
servants. Look at the two! There she, there my Giulia!”
Hera, full of pity, could find no word to speak to her, and the others
in the group about the bed stood speechless, divided in sympathy
between the great lady so mercilessly arraigned and the stricken woman
malevolent in her sorrow. In the moment of silence a physician who had
been listening at the girl’s heart arose and nodded his head. This
brought a fresh outburst from La Ferita.
“Oh, it’s death! Never fear!” she exclaimed. “His work was well done,
your Excellency! Well done, friends, neh?”
Public-domain text, read in full here on John Shaqi.
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