The Tale of Chloe: An Episode in the History of Beau BeamishMeredith, George
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The Tale of Chloe: An Episode in the History of Beau Beamish
Meredith, George
English fiction -- 19th century
Far away in a lighted hall of the West, her family raised hands of
reproach. They were minute objects, keenly discerned as diminished
figures cut in steel. Feeling could not be very warm for them, they were
so small, and a sea that had drowned her ran between; and looking that
way she had scarce any warmth of feeling save for a white rhaiadr leaping
out of broken cloud through branched rocks, where she had climbed and
dreamed when a child. The dream was then of the coloured days to come;
now she was more infant in her mind, and she watched the scattered water
broaden, and tasted the spray, sat there drinking the scene, untroubled
by hopes as a lamb, different only from an infant in knowing that she had
thrown off life to travel back to her home and be refreshed. She heard
her people talk; they were unending babblers in the waterfall. Truth was
with them, and wisdom. How, then, could she pretend to any right to
live? Already she had no name; she was less living than a tombstone.
For who was Chloe? Her family might pass the grave of Chloe without
weeping, without moralizing. They had foreseen her ruin, they had
foretold it, they noised it in the waters, and on they sped to the
plains, telling the world of their prophecy, and making what was untold
as yet a lighter thing to do.
The lamps in an irregularly dotted line underneath the hill beckoned her
to her task of appearing as the gayest of them that draw their breath for
the day and have pulses for the morrow.
CHAPTER X
At midnight the great supper party to celebrate the reconciliation of
Mr. Beamish and Duchess Susan broke up, and beneath a soft fair sky the
ladies, with their silvery chatter of gratitude for amusement, caught
Chloe in their arms to kiss her, rendering it natural for their cavaliers
to exclaim that Chloe was blest above mortals. The duchess preferred to
walk. Her spirits were excited, and her language smelt of her origin,
but the superb fleshly beauty of the woman was aglow, and crying, 'I
declare I should burst in one of those boxes--just as if you'd stalled
me!' she fanned a wind on her face, and sumptuously spread her spherical
skirts, attended by the vanquished and captive Colonel Poltermore, a
gentleman manifestly bent on insinuating sly slips of speech to serve for
here a pinch of powder, there a match. 'Am I?' she was heard to say.
She blew prodigious deep-chested sighs of a coquette that has taken to
roaring.
Presently her voice tossed out: 'As if I would!' These vivid
illuminations of the Colonel's proceedings were a pasture to the rearward
groups, composed of two very grand ladies, Caseldy, Mr. Beamish, a lord,
and Chloe.
'You man! Oh!' sprang from the duchess. 'What do I hear? I won't
listen; I can't, I mustn't, I oughtn't.'
Public-domain text, read in full here on John Shaqi.
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