“Yes, they’re rather—nice,” replied Olivia, wondering why, in trying to
qualify them in her mind, this particular adjective had never occurred
to her. They were male, they spoke perfect English, they were
well-mannered—and so, of course, they were nice. But it was such an
inadequate word, completing no idea. Lydia’s atrophied sense of
differentiation awoke the laughter in her eyes. Nice! So were Bobby
Quinton, Sydney Rooke, Mauregard, a score of other commonplace types in
Lydia’s set. But that Blaise Olifant and Alexis Triona should be lumped
with them in this vaguely designated category, seemed funny.
Lydia went on:
“Major Olifant, of course, I knew from your description of him; but the
other—the young man with the battered face—I didn’t place him.”
“Triona—Alexis Triona.”
“I seem to have heard the name,” said Lydia. “He writes or paints or
lectures on Eugenics or something.”
“He has written a book on Russia,” replied Olivia drily.
“I’m fed up with Russia,” said Lydia dismissively. “Even if I wasn’t—I
didn’t come here to talk about it. I came in about something quite
different. What do you think has happened? Sydney Rooke has asked me to
marry him.”
Olivia’s eyes flashed with the interest of genuine youth in a romantic
proposal of marriage.
“My dear!” she cried. “How exciting!”
“I wish it were,” said Lydia, in her grey-eyed calmness. “Anyhow, it’s a
bit upsetting. Of course I knew that he was married—separated years and
years from his wife. Whether he couldn’t catch her out, or she couldn’t
catch him out, I don’t know. But they couldn’t get a divorce. She was a
Catholic and wouldn’t stand for the usual arrangement. Now she’s dead.
Died a couple of months ago in California. He came in this morning with
Lady Northborough—introducing her—the first time I had seen the woman.
And he sat by and gave advice while she chose half a dozen hats. His
judgment’s infallible, you know. He saw her to her car and came back.
‘Now I’ve done you a good turn,’ he said, ‘perhaps you’ll do me one.
Give me five minutes with you in your cubby-hole.’ We went into my
little office, and then he sprang this on me—the death of his wife and
the proposal.”
“But it _must_ have been exciting,” Olivia protested. “Yet——” she
knitted her brow, “why the Lady Northborough barrage?”
“It’s his way,” said Lydia.
“What did you tell him?”
“I said I would give him my answer to-night.”
“Well?”
“I don’t know. He’s charming. He’s rolling in money—you remember the
motor-car I turned down for obvious reasons—he knows all kinds of nice
people—he’s fifty——”
“Fifty!” cried Olivia, aghast. To three and twenty fifty is senile.
“The widow’s ideal.”
“It’s exciting, but not romantic,” said Olivia.
“Romance perished on the eleventh of November, 1918. Since then it has
been ‘Every woman for herself and the Devil take the hindmost.’ Are you
aware that there are not half enough men to go round? So when a man with
twenty thousand a year comes along, a woman has to think like—like——”
Public-domain text, read in full here on John Shaqi.
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