‘I am not good,’ said his companion, gravely, ‘but I suppose I am kind
enough. It is much easier, my young friend, to be kind than good. Well,
now I am going to take you to this gentleman.’
She put on her cloak and bonnet, and led the way to the stage door of
the theatre. A closed carriage, well appointed, was at the door, in
waiting for her, and they took their seats. In a few minutes they were
whirled to their destination—a huge red house set in a courtyard, with
which William Henry was unacquainted, or which in the perturbation
of his mind he failed to recognise. They passed through certain
corridors into a large room looking on a garden. It was handsomely
furnished; a harp stood in one corner, a piano in the other; the walls
were hung with beautiful pictures. But what aroused William Henry’s
amazement, and prevented him from giving his attention elsewhere, was
the circumstance that on a table by the window were arranged the whole
collection of the Shakespeare papers.
‘You are looking for your father’s blood upon them,’ said Mrs. Jordan,
smiling; ‘you are thinking to yourself that he must surely have been
cut to pieces ere he would have permitted them to leave his hands. But
the fact is—— Hush, here comes your future patron.’
William Henry was used to a patron, and for that matter to a
sufficiently mysterious one; but for the moment he was devoured by
curiosity, mingled with a certain awe. The appearance of the new-comer,
if he had expected to see anyone very magnificent, must have been a
disappointment to him, for it certainly was not of an imposing kind.
There entered the room, so rapidly that he almost seemed to run, a
young man of thirty, somewhat inclined to corpulence, with a cheery
good-natured face, but decidedly commonplace in its expression.
‘Well, well, Dorothy, you see I’m here,’ he said, without taking
the least notice of the stranger’s presence. ‘Now let us see these
manuscripts—wonderful manuscripts—and get it over.’ He spoke with
great volubility, and plumped down on a chair by the table as if in a
great hurry. ‘What funny writing, and what queer ink and paper! and
what great seals! Shakespeare was never Lord Chancellor, was he?’
‘I don’t think he was, sir,’ said Mrs, Jordan, laughing. ‘It was the
fashion in those days for deeds to wear fob and watch and chain.’
‘Fobs, fobs? I see no fobs. So this is “Lear;“ I’ve seen “Lear.“ The
play where everybody has their eyes put out. So he wrote it like this,
did he? I wonder how anybody could read it. Hambllett, Hambllett; I
never heard of him. Notes of hand. Gad! I know _them_ pretty well.’
‘This is the young gentleman, sir, to whom we owe the discovery of all
these manuscripts,’ said Mrs. Jordan, drawing his attention to William
Henry.
‘Aye, aye,’ said the new comer, wheeling his chair round to get a good
view of William Henry’s face. ‘You found them, did you; those that hide
can find; that’s what people tell me, you know.’
Public-domain text, read in full here on John Shaqi.
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