Grace makes the slave a freeman. ’Tis a change
That turns to ridicule the turgid speech
And stately tone of moralists, who boast,
As if, like him of fabulous renown,
They had indeed ability to smooth
The shag of savage nature, and were each
An Orpheus and omnipotent in song.
But transformation of apostate man
From fool to wise, from earthly to divine,
Is work for Him that made him. He alone,
And He, by means in philosophic eyes
Trivial and worthy of disdain, achieves
The wonder; humanising what is brute
In the lost kind, extracting from the lips
Of asps their venom, overpowering strength
By weakness, and hostility by love.
Patriots have toiled, and in their country’s cause
Bled nobly, and their deeds, as they deserve,
Receive proud recompense. We give in charge
Their names to the sweet lyre. The historic muse,
Proud of the treasure, marches with it down
To latest times; and sculpture, in her turn,
Gives bond in stone and ever-during brass,
To guard them, and to immortalise her trust.
But fairer wreaths are due, though never paid,
To those who, posted at the shrine of truth,
Have fallen in her defence. A patriot’s blood
Well spent in such a strife may earn indeed,
And for a time ensure to his loved land,
The sweets of liberty and equal laws;
But martyrs struggle for a brighter prize,
And win it with more pain. Their blood is shed
In confirmation of the noblest claim,
Our claim to feed upon immortal truth,
To walk with God, to be divinely free,
To soar, and to anticipate the skies!
Yet few remember them. They lived unknown,
Till persecution dragged them into fame
And chased them up to heaven. Their ashes flew
—No marble tells us whither. With their names
No bard embalms and sanctifies his song,
And history, so warm on meaner themes,
Is cold on this. She execrates indeed
The tyranny that doomed them to the fire,
But gives the glorious sufferers little praise.
Public-domain text, read in full here on John Shaqi.
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