style may be called the man, good judges have found in it the final test of culture and have said that he, and he alone, is a well-educated person who uses his language with power and beauty. The supreme and ultimate product of civilization, it has well been said, is two or three persons talking together in a room. Between ourselves and our language there accordingly springs up an association peculiarly close. We are as sensitive to criticism of our speech as of our manners. The young man looks up with awe to him who has written a book, as already half divine; and the graceful speaker is a universal object of envy. But the very fact that literary endowment is immediately recognized and eagerly envied has induced a strange illusion in regard to it. It is supposed to be something mysterious, innate in him who possesses it and quite out of the reach of him who has it not. The very contrary is the fact. No human employment is more free and calculable than the winning of language. Undoubtedly there are natural aptitudes for it, as there are for farming, seamanship, or being a good husband. But nowhere is straight work more effective. Persistence, care, discriminating observation, ingenuity, refusal to lose heart,--traits which in every other occupation tend toward excellence,--tend toward it here with special security. Whoever goes to his grave with bad English in his mouth has no one to blame but himself for the disagreeable taste; for if faulty speech can be inherited, it can be exterminated too. I hope to point out some of the methods of substituting good English for bad. And since my space is brief, and I wish to be remembered, I throw what I have to say into the form of four simple precepts which, if pertinaciously obeyed, will, I believe, give anybody effective mastery of English as a tool.