afford, every disposition may find its appropriate nutriment, correction, or solace. He is unwise, however busy, who does not have his loved authors, veritable friends with whom he takes refuge in the intervals of work and by whose intimacy he enlarges, refines, sweetens, and emboldens his own limited existence. Yet the fact that English as a joy must largely be conditioned by individual taste prevents me from offering general rules for its pursuit. The road which leads one man straight to this joy leads another to tedium. In all literary enjoyment there is something incalculable, something wayward, eluding the precision of rule, and rendering inexact the precepts of him who would point out the path to it. While I believe that many suggestions may be made, useful to the young enjoyer and promotive of his wise vagrancy, I shall not undertake here the complicated task of offering them. Let enjoyment go, let history go, let science go, and still English remains--English as a tool. Every hour our language is an engine for communicating with others, every instant for fashioning the thoughts of our own minds. I want to call attention to the means of mastering this curious and essential tool, and to lead every one who reads me to become discontented with his employment of it. The importance of literary power needs no long argument. Everybody acknowledges it, and sees that without it all other human faculties are maimed. Shakespeare says that death-bringing time "insults o'er dull and speechless tribes." It and all who live in it insult over the speechless person. So mutually dependent are we that on our swift and full communication with one another is staked the success of almost every scheme we form. He who can explain himself may command what he wants. He who cannot is left to the poverty of individual resource; for men do what we desire only when persuaded. The persuasive and explanatory tongue is, therefore, one of the chief levers of life. Its leverage is felt within us as well as without, for expression and thought are integrally bound together. We do not first possess completed thoughts and then express them. The very formation of the outward product extends, sharpens, enriches the mind which produces, so that he who gives forth little after a time is likely enough to discover that he has little to give forth. By expression too we may carry our benefits and our names to a far generation. This durable character of fragile language puts a wide difference of worth between it and some of the other great objects of desire,--health, wealth, and beauty, for example. These are notoriously liable to accident. We tremble while we have them. But literary power, once ours, is more likely than any other possession to be ours always. It perpetuates and enlarges itself by the very fact of its existence and perishes only with the decay of the man himself. For this reason, because more than health, wealth, and beauty, literary