Given a good pair of discs the first step towards fashioning them into
an objective is roughing to the approximate form desired. As a guide
to the shaping of the necessary curves, templets must be made from the
designed curves of the objective as precisely as possible. These are
laid out by striking the necessary radii with beam compass or pivoted
wire and scribing the curve on thin steel, brass, zinc or glass. The
two last are the easier to work since they break closely to form.
From these templets the roughing tools are turned up, commonly from
cast iron, and with these, supplied with carborundum or even sand, and
water, the discs, bearing against the revolving tool, are ground to the
general shape required. They are then secured to a slowly revolving
table, bearing edgewise against a revolving grindstone, and ground
truly circular and of the proper final diameter.
At this point begins the really careful work of fine grinding, which
must bring the lens very close to its exact final shape. Here again
tools of cast iron, or sometimes brass, are used, very precisely
brought to shape according to the templets. They are grooved on the
face to facilitate the even distribution of the abrasive, emery or
fine carborundum, and the work is generally done on a special grinding
machine, which moves the tool over the firmly supported disc in a
complicated series of strokes imitating more or less closely the
strokes found to be most effective in hand polishing.
In general terms the operator in handwork at this task supports the
disc on a firm vertical post, by cementing it to a suitable holder, and
then moves the tool over it in a series of straight or oval strokes,
meanwhile walking around the post. A skilful operator watches the
progress of his work, varies the length and position of his strokes
accordingly, and, despite the unavoidable wear on the tool, can both
keep its figure true and impart a true figure to the glass.
[Illustration: FIG. 44.—Dr. Draper’s Polishing Machine.]
Public-domain text, read in full here on John Shaqi.
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