Man-woman relationships -- Fiction; Missing persons -- Fiction; Mystery fiction; Young women -- Fiction
There was no answer. Lexy crossed the room to the window and looked
out. The balcony, too, was dim, with Venetian blinds drawn down on
every side, and on a narrow cot lay Muriel Quelton. There was a
bandage over her forehead and covering her hair, and under it her face
had a mystic and terrible beauty. She was as white as a ghost, with
great dark circles beneath her eyes; and she was so still—so utterly
still—that Lexy was stricken with terror.
Captain Grey was sitting beside her in a low chair, holding one of her
lifeless hands, and Lexy saw on his face such anguish as she had never
looked upon before.
“My dear!” he said again.
Her weary eyes opened and looked up at him. Then the shadow of a smile
crossed her face.
“Stay!” she whispered.
Lexy drew nearer. Tears were running down her cheeks. She tried to
read the nurse’s face, but she could not.
“How is—she—getting on?” she asked, speaking very low.
“Lexy!” came a voice from the cot, almost inaudible. “Take it—the top
drawer—of the bureau—for you.”
“But do you mean—I don’t understand!” cried Lexy.
“Hush, please!” said the nurse severely. “Mrs. Quelton is not to be
excited.”
Lexy was silent for a moment. Then, just as she was about to speak,
her quick ear caught a very unwelcome sound—the sound of a horse’s
trot. She turned away and went back through the window into the room.
Dr. Quelton was coming home. She couldn’t wait to find out what Muriel
Quelton had meant. Once more she was compelled to do the best she
could amid a fog of misunderstanding.
“Lexy—take it—the top drawer—of the bureau—for you.”
That was what she thought Mrs. Quelton had said, and she acted upon
that premise. She crossed the room to the bureau, and opened the top
drawer. In the dim light that filled the shuttered room she could not
see very clearly; but, as far as she could ascertain, there was
nothing in the drawer except some neatly folded silk stockings, a
satin glove case, some little odds and ends of ribbons, and a pile of
handkerchiefs. She looked into the glove case—nothing there but
gloves. There was nothing hidden away among the stockings, nothing
among the ribbons.
She heard the front door close and a step begin to mount the stairs,
deliberate and heavy, in the quiet house. In haste she went at the
pile of handkerchiefs. There were dozens of them, all of fine white
linen, all with a “2” embroidered in one corner—very uninteresting
handkerchiefs, Lexy thought; but halfway through the pile she came
upon one that she had seen before.
It was so familiar to her that at first she was not startled or even
surprised. It was a handkerchief that she had embroidered for Caroline
Enderby.
She took it up and looked at it with a frown. Then she heard Dr.
Quelton’s step in the hall outside. She tucked the handkerchief in her
belt, and tried to close the drawer, but it stuck. Her heart was
beating wildly, her knees felt weak. He would find her there, like a
thief!
Public-domain text, read in full here on John Shaqi.
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