Husband and wife -- Fiction; Man-woman relationships -- Fiction
All the same, it required some effort to walk into any of these
storehouses of the loot of castles and cathedrals and offer my services
as judge and connoisseur. On the threshold of three I lost my courage
and stepped back. It was only after stopping before a fourth, the
window severely simple with three ineffable moon-white jars set against
a background of violet shot with black, that I reasoned myself into
taking the step. It was a case of _de l’audace, de l’audace, et encore
de l’audace_. By audacity alone were high things accomplished and great
fortunes won. Before I could recoil from this commendable reflection I
opened the door and went in.
I found myself in a gallery resembling certain venerable sacristies.
The floor was carpeted in red, the walls lined with cabinets paneled in
ebony, their doors discreetly closed on the treasures inside. In a
corner an easel supported a black-framed flower-piece, probably by
Huysmans. On a well-preserved Elizabethan table partly covered with a
square of filet lace was a tea-service of Nantgarw or Rockingham.
Nothing could have been more in accordance with my own ideas of
conducting a business than this absence of crude display.
I had leisure to make these observations, because the only other visible
occupant of the shop, if I may use the word of a shrine so dignified,
was a young lady who moved slowly toward me down the gallery. She was
in the neatest black, with only a string of pearls for ornament.
Healthily pale, with fair hair carefully "marcelled," her hands resting
on each other in front of her, she approached me with a faint smile that
emphasized her composure.
"You wish—?"
I had not considered the words in which I should frame my application,
so I stammered:
"I—I thought I—I might be of—of some use here."
The faint smile faded, but the composure remained as before.
"Some—what?"
"Use. I—I understand these things. That tea-service, now, it’s
Rockingham or Nantgarw, possibly Chelsea. The three moon-white jars in
the window, two of them gourd-shaped—"
"Did you want to look at them?"
"No," I blurted out, "to—to sell them."
"Sell them? How do you mean? We mean to sell them ourselves."
"But don’t you ever—ever need—what shall I call it—an extra hand? Don’t
you ever have a place for that?"
She grew nervous, and yet not so nervous as to lose the power of keeping
me in play.
"Oh yes! Certainly! An—an extra hand! I’ll call Mr. Chessland. Mr.
Chessland! Please—_please_—come here. Lovely day, isn’t it?" she
continued, as a short, thick-set figure came waddling from the back of
the premises. "We don’t often have such lovely weather at this time of
year, though sometimes we do—we do very often, don’t we? You never can
tell about weather, can you?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account