At the back of the reredos rises a pier from which spring two pointed arches, leaving a broad tympanum or spandrel, closing the upper part of the Norman arch. This is a restoration of Mr. Cottingham’s. The pier itself is ancient. The spandrel is covered with modern sculpture, having, above, the Saviour in Majesty, with the Evangelists holding scrolls; and below, a figure of Ethelbert, King of East Anglia, who was murdered by Offa, King of Mercia, and is said to have been interred in the first Saxon church on this spot. (See Pt. II.) Miracles were reported as having occurred at his tomb, and the second church here was dedicated to St. Ethelbert. The very good brass of Bishop TRILLECK (died 1360) is placed on the chancel floor. The graceful arrangement of the vestments--which do not include the tunic--and the architectural design of the canopy deserve special notice. The greater part of the inscription has been lost[35]. Against the easternmost pier on the south side of the choir is a small figure on a bracket, which possibly represents St. Ethelbert. It was found about the year 1700, buried at the entrance of the Lady-chapel, (where it is said to have been concealed during the siege of 1645,) and was replaced in what is believed to have been its original position. The figure wears a coronet terminating in leaves. The strings of the long mantle are crossed on the breast. Whatever the hands once held has been destroyed. The figure is certainly not earlier than the first half of the fourteenth century. On the _north_ side of the choir, in the easternmost bay, is the effigy of Bishop STANBERY, (died 1474,) whose chantry opens from the aisle opposite; (§ XIV.) The Bishop wears the alb, stole, and chasuble, the flowing ornament on which should be noticed. It should here be mentioned that Wyatt, following the same destructive course as at Salisbury, removed many monuments in the cathedral from their original positions; thereby rendering even their identification a matter of some difficulty. In the next bay is the effigy of a bishop, fully vested, holding the model of a tower. This is assigned to Bishop GILES DE BRUCE, (died 1215); and Godwin (_De Præsulibus_) conjectured that the model indicated this bishop as having been the builder of the central tower--a conjecture which has been assumed as a certainty by every succeeding writer. But whatever architectural work Bishop Giles may have done, the tower, as was pointed out by Professor Willis, is nearly a century later. His effigy is one of ten which were erected during the Perpendicular period as memorials of earlier bishops, and which are now scattered in different parts of the cathedral. (In the same manner, many effigies of earlier bishops were sculptured at Wells (see that Cathedral) in the first half of the thirteenth century, and are all of Early English character.)