The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
XVIII. An ascent of five steps (rendered necessary by the height of the
crypt below; see § XXVI.) leads to the _Lady-chapel_, [Plate VIII.];
very rich Early English, and dating from the first half of the
thirteenth century, (_circ._ 1220). It is 45 ft. by 24, and consists of
three bays, in each of which, on either side, (except where the bay on
the south side is filled by the Audley Chantry,) are two large windows.
When Professor Willis made his report in 1841, the eastern gable of this
chapel (then used as the Chapter Library) was in a state of “ruinous
disintegration;” and one of the first works entrusted to Mr. Cottingham
was the rebuilding of this eastern end. The pavement of the
Lady-chapel, and other restorations, have happily been completed under
the direction of Mr. G. G. Scott.
At the east end are five narrow lancets, set back within arches resting
on clustered shafts, and much enriched with the dog-tooth ornament. The
wall above these windows is pierced with five foiled openings; of which
the three central are oval, the exterior on either side circular. The
windows have been filled with stained glass designed by Cottingham and
executed by GIBBS, as a memorial to the late Dean MEREWETHER,--to whom
the cathedral is so greatly indebted,--who is interred at the north-east
angle of the chapel. The subjects commence with the early life of the
Virgin, and proceed through that of our Lord, terminating with the
supper in the house of Mary and Martha. The glass is good, but suffers
from the want of white and neutral tints.
A black marble slab, with a brass plate by Hardman, has been placed over
the grave of Dean Merewether. The inscription bears record that “to the
restoration of this cathedral he devoted the unwearied energies of his
life till its close on the 4th of April, 1850.”
The very rich clustered shafts and arches of the side windows should be
especially noticed. The capitals of the shafts are of Early English
leafage; and there are small heads at the intersections and crowns of
the arches. A circle enclosing a quatrefoil pierces the wall above these
windows. The vaulting is plain quadripartite, and springs from shafts
which descend upon a base raised slightly above the pavement.
The modern pavement of the Lady-chapel is laid with red and green tiles,
in large square panels. The whole design is broad and good in outline;
and is somewhat richer at the altar end, which is raised on one step.
The aumbry and double piscina on the south side of the altar are
reproductions of the originals, which were in a state of extreme decay.
Of the two stained windows on the south side, the most eastern (of late
fourteenth-century character) was removed from St. Peter’s Church in
Hereford, and was given to the cathedral by the late R. B. Phillipps,
Esq. The window below is filled with Munich glass.
Public-domain text, read in full here on John Shaqi.
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