The Three Cities Trilogy: Rome, Volume 2Zola, Émile
General
The Three Cities Trilogy: Rome, Volume 2
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
modest achievements to subsequent generations by commemorative marble
slabs engraved with pompous inscriptions! These slabs are to be seen on
every side: not a wall has ever been strengthened but some pope has
stamped it with his arms, not a ruin has been restored, not a palace
repaired, not a fountain cleaned, but the reigning pope has signed the
work with his Roman and pagan title of "Pontifex Maximus." It is a
haunting passion, a form of involuntary debauchery, the fated florescence
of that compost of ruins, that dust of edifices whence new edifices are
ever arising. And given the perversion with which the old Roman soil
almost immediately tarnished the doctrines of Jesus, that resolute
passion for domination and that desire for terrestrial glory which
wrought the triumph of Catholicism in scorn of the humble and pure, the
fraternal and simple ones of the primitive Church, one may well ask
whether Rome has ever been Christian at all!
And whilst Pierre was for the second time walking round the huge
basilica, admiring the tombs of the popes, truth, like a sudden
illumination, burst upon him and filled him with its glow. Ah! those
tombs! Yonder in the full sunlight, in the rosy Campagna, on either side
of the Appian Way--that triumphal approach to Rome, conducting the
stranger to the august Palatine with its crown of circling palaces--there
arose the gigantic tombs of the powerful and wealthy, tombs of
unparalleled artistic splendour, perpetuating in marble the pride and
pomp of a strong race that had mastered the world. Then, near at hand,
beneath the sod, in the shrouding night of wretched mole-holes, other
tombs were hidden--the tombs of the lowly, the poor, and the
suffering--tombs destitute of art or display, but whose very humility
proclaimed that a breath of affection and resignation had passed by, that
One had come preaching love and fraternity, the relinquishment of the
wealth of the earth for the everlasting joys of a future life, and
committing to the soil the good seed of His Gospel, sowing the new
humanity which was to transform the olden world. And, behold, from that
seed, buried in the soil for centuries, behold, from those humble,
unobtrusive tombs, where martyrs slept their last and gentle sleep whilst
waiting for the glorious call, yet other tombs had sprung, tombs as
gigantic and as pompous as the ancient, destroyed sepulchres of the
idolaters, tombs uprearing their marbles among a pagan-temple-like
splendour, proclaiming the same superhuman pride, the same mad passion
for universal sovereignty. At the time of the Renascence Rome became
pagan once more; the old imperial blood frothed up and swept Christianity
away with the greatest onslaught ever directed against it. Ah! those
tombs of the popes at St. Peter's, with their impudent, insolent
glorification of the departed, their sumptuous, carnal hugeness, defying
death and setting immortality upon this earth. There are giant popes of
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