The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Prada raised his hands, as if he had exhausted the serious candidates. In
order to increase the priest's exasperation he maliciously refrained from
naming Cardinal Sanguinetti, who was certainly Santobono's nominee. All
at once, however, he pretended to make a good guess, and gaily exclaimed:
"Ah! I have it; I know your man--Cardinal Boccanera!"
The blow struck Santobono full in the heart, wounding him both in his
rancour and his patriotic faith. His terrible mouth was already opening,
and he was about to shout "No! no!" with all his strength, but he managed
to restrain the cry, compelled as he was to silence by the present on his
knees--that little basket of figs which he pressed so convulsively with
both hands; and the effort which he was obliged to make left him
quivering to such a point that he had to wait some time before he could
reply in a calm voice: "His most reverend Eminence Cardinal Boccanera is
a saintly man, well worthy of the throne, and my only fear is that, with
his hatred of new Italy, he might bring us warfare."
Prada, however, desired to enlarge the wound. "At all events," said he,
"you accept him and love him too much not to rejoice over his chances of
success. And I really think that we have arrived at the truth, for
everybody is convinced that the Conclave's choice cannot fall elsewhere.
Come, come; Boccanera is a very tall man, so it's the long white cassock
which will be required."
"The long cassock, the long cassock," growled Santobono, despite himself;
"that's all very well, but--"
Then he stopped short, and, again overcoming his passion, left his
sentence unfinished. Pierre, listening in silence, marvelled at the man's
self-restraint, for he remembered the conversation which he had overheard
at Cardinal Sanguinetti's. Those figs were evidently a mere pretext for
gaining admission to the Boccanera mansion, where some friend--Abbe
Paparelli, no doubt--could alone supply certain positive information
which was needed. But how great was the command which the hot-blooded
priest exercised over himself amidst the riotous impulses of his soul!
On either side of the road the Campagna still and ever spread its expanse
of verdure, and Prada, who had become grave and dreamy, gazed before him
without seeing anything. At last, however, he gave expression to his
thoughts. "You know, Abbe, what will be said if the Pope should die this
time. That sudden illness, those colics, those refusals to make any
information public, mean nothing good--Yes, yes, poison, just as for the
others!"
Pierre gave a start of stupefaction. The Pope poisoned! "What! Poison?
Again?" he exclaimed as he gazed at his companions with dilated eyes.
Poison at the end of the nineteenth century, as in the days of the
Borgias, as on the stage in a romanticist melodrama! To him the idea
appeared both monstrous and ridiculous.
Public-domain text, read in full here on John Shaqi.
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