The Three Cities Trilogy: Rome, Volume 5Zola, Émile
General
The Three Cities Trilogy: Rome, Volume 5
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Don Vigilio looked at him, momentarily calmed by surprise. "Run away,
why? Go to France? Why, they are there! No matter where I might go, they
would be there. They are everywhere, I should always be surrounded by
them! No, no, I prefer to stay here and would rather die at once if his
Eminence can no longer defend me." With an expression of ardent entreaty
in which a last gleam of hope tried to assert itself, he raised his eyes
to the large painting in which the Cardinal stood forth resplendent in
his cassock of red moire; but his attack came back again and overwhelmed
him with increased intensity of fever. "Leave me, I beg you, leave me,"
he gasped. "Don't make me talk any more. Ah! Paparelli, Paparelli! If he
should come back and see us and hear me speak. . . . Oh! I'll never say
anything again. I'll tie up my tongue, I'll cut it off. Leave me, you are
killing me, I tell you, he'll be coming back and that will mean my death.
Go away, oh! for mercy's sake, go away!"
Thereupon Don Vigilio turned towards the wall as if to flatten his face
against it, and immure his lips in tomb-like silence; and Pierre resolved
to leave him to himself, fearing lest he should provoke a yet more
serious attack if he went on endeavouring to succour him.
On returning to the throne-room the young priest again found himself
amidst all the frightful mourning. Mass was following mass; without
cessation murmured prayers entreated the divine mercy to receive the two
dear departed souls with loving kindness. And amidst the dying perfume of
the fading roses, in front of the pale stars of the lighted candles,
Pierre thought of that supreme downfall of the Boccaneras. Dario was the
last of the name, and one could well understand that the Cardinal, whose
only sin was family pride, should have loved that one remaining scion by
whom alone the old stock might yet blossom afresh. And indeed, if he and
Donna Serafina had desired the divorce, and then the marriage of the
cousins, it had been less with the view of putting an end to scandal than
with the hope of seeing a new line of Boccaneras spring up. But the
lovers were dead, and the last remains of a long series of dazzling
princes of sword and of gown lay there on that bed, soon to rot in the
grave. It was all over; that old maid and that aged Cardinal could leave
no posterity. They remained face to face like two withered oaks, sole
remnants of a vanished forest, and their fall would soon leave the plain
quite clear. And how terrible the grief of surviving in impotence, what
anguish to have to tell oneself that one is the end of everything, that
with oneself all life, all hope for the morrow will depart! Amidst the
murmur of the prayers, the dying perfume of the roses, the pale gleams of
the two candies, Pierre realised what a downfall was that bereavement,
how heavy was the gravestone which fell for ever on an extinct house, a
vanished world.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account