And then there was this element of strangeness, that the suspicion,
the presumption, the certainty that the man Massignac was the willing
tool of the two criminals, all this was swept away by the great
movement of curiosity that carried people off their feet. Judicial
procedure, ordinary precautions, regular adjournments, legal
procrastinations which delay the entry into possession of the legatees
were one and all neglected. The public wanted to see and know; and
Théodore Massignac was the man who held the prodigious secret.
He was therefore allowed to have the keys of the amphitheatre and went
in alone, or with labourers upon whom he kept an eye, replacing them
by fresh gangs so as to avoid plots and machinations. He often went to
Paris, throwing off the scent of the detectives who dogged his
movements, and returned with bottles and cans carefully wrapped up.
On the day before that fixed for the inauguration, the police were no
wiser than on the first day in matters concerning the man Massignac,
or Velmot's hiding-place, or the murderer's, or Bérangère's. The same
ignorance prevailed regarding Noël Dorgeroux's secret, the
circumstances of his death and the ambiguous words which he had
scribbled on the plaster of the wall. As for the miraculous visions
which I have described, they were denied or accepted as vigorously and
as unreasonably by both the disputing parties. In short, nobody knew
anything.
And this perhaps was the reason why the thousand seats in the
amphitheatre were sold out within a few hours. Priced at a hundred
francs apiece, they were bought up by half-a-dozen speculators who got
rid of them at two or three times their original cost. How delighted
my poor uncle would have been had he lived to see it!
The night before the fourteenth of May, I slept very badly, haunted by
nightmares that kept on waking me with a start. At the first glimmer
of dawn, I was sitting on the side of my bed when, in the deep
silence, which was barely broken by the twittering of a few birds, I
seemed to hear the sound of a key in a lock and a door creaking on its
hinges.
I must explain that, since my uncle's death, I had been sleeping next
to the room that used to be his. Now the noise came from that room,
from which I was separated only by a glazed door covered with a chintz
curtain. I listened and heard the sound of a chair moved from its
place. There was certainly some one in the next room; and this some
one, obviously unaware that I occupied the adjoining chamber, was
taking scarcely any precautions. But how had he got in?
I sprang from the bed, slipped on my trousers, took up a revolver and
drew aside a corner of the curtain. At first, the shutters were closed
and the room in darkness and I saw only an indistinct shadow. Then the
window was opened softly. Somebody lifted the iron bar and pushed back
the shutters, thus admitting the light.
Public-domain text, read in full here on John Shaqi.
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