Of embarrassment not the slightest sign. Everybody knew that Théodore
Massignac was the fellow with the broad face and the wide-cleft mouth
who was attracting the general attention. And everybody was fully
aware that Théodore Massignac was the man of straw who had carried out
the whole business and made away with Noël Dorgeroux. But nothing
interfered with Théodore Massignac's jovial mood: not the sneers, nor
the apparent hostility of the public, nor the more or less discreet
supervision of the detectives attached to his person.
He had even had the effrontery to paste on boardings, to the right and
left of the entrance, a pair of great posters representing Noël
Dorgeroux's handsome face, with its grave and candid features!
These posters gave rise to a brief altercation between us. It was
pretty lively, though it passed unnoticed by others. Scandalized by
the sight of them, I went up to him, a little while before the time
fixed for the opening; and, in a voice trembling with anger, said:
"Remove those at once. I will not have them displayed. The rest I
don't care about. But this is too much of a good thing: it's a
disgrace and an outrage."
He feigned an air of amazement:
"An outrage? You call it an outrage to honour your uncle's memory and
to display the portrait of the talented inventor whose discovery is on
the point of revolutionizing the world? I thought I was doing homage
to him."
I was beside myself with rage:
"You shan't do it," I spluttered. "I will not consent, I will not
consent to be an accomplice in your infamy."
"Oh, yes, you will!" he said, with a laugh. "You'll consent to this as
you do to all the rest. It's all part of the game, young fellow.
You've got to swallow it. You've got to swallow it because Uncle
Dorgeroux's fame must be made to soar above all these paltry trifles.
Of course, I know, a word from you and I'm jugged. And then? What will
become of the great invention? In the soup, that's where it'll be, my
lad, because I am the sole possessor of all the secrets and all the
formulae. The sole possessor, do you understand? Friend Velmot, the
man with the glasses, is only a super, a tool. So is Bérangère.
Therefore, with Théodore Massignac put away, there's an end of the
astounding pictures signed 'Dorgeroux.' No more glory, no more
immortality. Is that what you want, young man?"
Without waiting for any reply, he added:
Public-domain text, read in full here on John Shaqi.
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